Anyone who knows is me is expecting a flurry of posts about the sad news of Charlton Heston’s death. For a while, back in the late nineties, I was single-handedly trying to forge the field of Heston Studies. My work focused on Heston’s informal sci-fi trilogy from the late sixties and early seventies: Planet of the Apes, The Omega Man, and Soylent Green. One of those essays — “There Goes the Neighborhood: The Seventies, the Middle Class, and The Omega Man” — was even published in a collection called Shocking Cinema of the Seventies.
I’ve been thinking for a long time about posting the other essays, and finally, tragically, now seems like an appropriate time to do it. So bear with me as I dig through my files and look over these old fossils, and if they’re not too embarrassing, look for them here in the future…
