A protest bot is a bot so specific you can’t mistake it for bullshit

Code of NRA_Tally

A Call for Bots of Conviction In 1965 the singer-songwriter Phil Ochs told an audience that “a protest song is a song that’s so specific you can’t mistake it for bullshit.” Ochs was introducing his anti-war anthem “I Ain’t Marching Anymore”—but also taking a jab at his occasional rival Bob Dylan, whose expressionistic lyrics by… Continue reading A protest bot is a bot so specific you can’t mistake it for bullshit

“Deep” Textual Hacks
A computational and pedagogical workshop

I put "deep" in scare quotes but really, all three words should have quotes around them—"deep" "textual" "hacks"—because all three are contested, unstable terms. The workshop is hands-on, but I imagine we'll have a chance to talk about the more theoretical concerns of hacking texts. The workshop is inspired by an assignment from my Hacking,… Continue reading “Deep” Textual HacksA computational and pedagogical workshop

Closed Bots and Green Bots
Two Archetypes of Computational Media

The Electronic Literature Organization's annual conference was last week in Milwaukee. I hated to miss it, but I hated even more the idea of missing my kids' last days of school here in Madrid, where we've been since January. If I had been at the ELO conference, I'd have no doubt talked about bots. I… Continue reading Closed Bots and Green BotsTwo Archetypes of Computational Media

no life no life no life no life: the 100,000,000,000,000 stanzas of House of Leaves of Grass

Mark Z. Danielewski’s House of Leaves is a massive novel about, among other things, a house that is bigger on the inside than the outside. Walt Whitman’s Leaves of Grass is a collection of poems about, among other things, the expansiveness of America itself. What happens when these two works are remixed with each other?… Continue reading no life no life no life no life: the 100,000,000,000,000 stanzas of House of Leaves of Grass