Sorry if this is a little late.
The People of Paper tackles the age-old book themes of sorrow and loss. Unlike most derivative writing that deals with these ideas, Plascencia presents them in a fresh, innovative, and often comical way. After reading some of the posts, I found that most people were surprised with the subject material in People of Paper, and their expectations where changed when reading it. I feel the same. Sorrow and loss are certainly not new themes in novels, yet they are far from becoming passé; there is always something to say about sorrow. To discover this postmodern novel focusing on such recurrent topics, while employing new strategies in its presentation, made for a very interesting read, and I would agree that People of Paper is one of the most interesting novels we’ve read this semester. I would like to focus on these themes and how they are handled in the novel.
Frederico’s bed wetting problem served as a hilarious catalyst for Mercde leaving him. Though it is under a ridiculous circumstance, I know of no woman who would stay with a lover in spite of such a problem, thus the bed-wetting is funny yet true. Frederico’s self-mutilation is handled in such a way that makes the violent act seem absurd and, coincidently, heartbreaking. Frederico’s maiming of himself may seem far-fetched, but I think it is pulled off well with the magical realism that Plascencia creates in the novel. But the most absurd comes when Froggy adopts an Oaxacan Songbird and chooses to listen to its loud calls to deal with the pain of Sandra leaving him. The curandero gives Froggy the bird as an escape to his distress and loneliness.
The idea of escapism is interesting and has been touched on in the posts. Just how Frederico, Froggy, and others escape their loss through pain, Saturn, who turns out to be a character named Salvador Plascencia, escapes his loss by creating these self-mutilating characters. This part of the book I found strange and startling but also very interesting. I like the idea of the writer putting himself so freely and to the forefront of the text that deals with loss. I’ve read many novels that tackle this subject matter (there seems to be at least a tinge of this idea in at least all of them) and I’ve always felt that there is some sort of cathartic process going on, like the writer is putting his characters through loss and pain in order to deal with his own. I think that Plascencia recognizes this and thus puts himself right in the text, like he is saying that he is dealing with it just like his characters, as if he is beating us to the punch.