I was puzzled by some of the posts I read talking about the graphic novel form as comical or simplistic – I never carried those expectations, so to me what “Shooting War” felt most like was pulp fiction or even young adult fiction. While the content was adult and somewhat explicit, the style of writing was hackneyed and the characterization and narrative were rushed and incomplete. I heard that the authors were asked to expand this novel from the first two chapters, and if so, that accounts for what I felt as a confused narrative arc with an ending that I can only call… pasted on. (Also, wow, I hope those blog posts were meant to be whiny and annoying …because they were.) Not only was Jimmy’s redemption unbelievable in terms of his previous actions (With so much previous introspection there was surprisingly little immediate insight into what made him upload those clips.), it was unbelievable in terms of the world he lived in. With such a media splash with those Youtube clips, there’s no way he would be allowed to be freelance and not get snapped up again! Maybe I just wasn’t reading closely, but does anyone know what happened to his people at Global? And what was up with the sanctification of Yoda Rather? Is he some kind of hero to the Left that I don’t know about? I felt in general like I was watching a made-for-TV movie with cut and paste bildungsroman characters.
The art style, however, was arresting and very effective at conveying the aesthetic message, I thought. I particularly enjoyed the skull and cross that formed the maskfaces of the soldiers. Talk about anti-religion! Overall, while the story gave a good framework for the art’s scope, I didn’t feel like each carried the other to its full potential or to a true marriage.
I did fully enjoy the alternate universe aspects of the novel, however, as science fiction works best when it is scarily plausible. McCain and the eminent domain struck a chord in me, as some have pointed out in their posts, but I still don’t see what the solution to fight back against the Evil Oppresors is. I suppose we should all become vloggers and keep information flowing constantly?
“In the Shadow of No Towers,” on the other hand, was very charming and effective. I was a bit taken aback by the extreme leftist views of the text. No matter if I share those views, it’s disorienting and strange when literature and propaganda/advertising explicitly overlap. Of course I was charmed by his references to his own work when the mouse appeared. I liked the image of his family running away from the disaster paralleling his own running away temporally to the old comics. It’s strange how influential these comics were but how we don’t typically read them either as part of the canon or as popular ad-packaged entertainment. The traces of their influence on pop culture and literature is all that’s left, so that’s one reason that I was excited to see some of the original works (especially Little Nemo and Upside-Downs).