How many passengers on a transatlantic flight play Sudoku?
Apparently all of them.
Another observation from the flight…One of the in-flight movies was The Dukes of Hazzard. I assume this movie was supposed to appeal somehow to the retro-seeking, nostalgia-desperate Gen Xers like myself, who spent many Friday nights in the eighties watching The Dukes and The Incredible Hulk. Like other attempts to create new franchises from recycled television shows, the movie was, well, I can’t say a disappointment, because I didn’t expect anything at all in the first place. But the spirit of the movie was all wrong, fundamentally misguided. Bo and Luke Duke, the good guys, were buffoons, played for laughs, while the bad guys–Boss Hogg, Roscoe–were played straight. This is the opposite of the original series.
Of course, I’m overanalyzing a movie that is obviously meant to be taken lightly. Still, I think it’s worth pointing out that this inversion of the comical and the serious seems to happen a lot in the adaptation of seventies and eighties television shows for the big screen in the new millennium. It’s as if the old shows–Incredible Hulk, Starsky and Hutch, The Dukes of Hazzard–weren’t campy enough, so the remakes have to be in camp-overdrive. Or rather, as if to prove we once took the originals seriously and didn’t conceive of them as camp at the time, we have to produce remakes with even greater camp value.
The single exception to this trend seems to be the Sci-Fi channel’s remarkable reimagining of Battlestar Galactica. In this series, what was once camp is now deadly serious. And that’s what makes Battlestar one of the best television shows around right now.