This is a list of digitally-inflected sessions at the 2014 Modern Language Association Convention (Chicago, January 9-12). These sessions in some way address digital tools, objects, and practices in language, literary, textual, cultural, and media studies. The list also includes sessions about digital pedagogy and scholarly communication. The list stands at 78 entries, making up less than 10% of the total 810 convention slots. Please leave a comment if this list is missing any relevant sessions. Continue reading
I recently proposed a sequence of lightning talks for the next Modern Language Association convention in Chicago (January 2014). The participants are tackling a literary issue that is not at all theoretical: the future of electronic literature. I’ve also built in a substantial amount of time for an open discussion between the audience and my participants—who are all key figures in the world of new media studies. And I’m thrilled that two of them—Dene Grigar and Stuart Moulthrop—just received an NEH grant dedicated to a similar question, which is documenting the experience of early electronic literature.
Electronic literature can be broadly conceived as literary works created for digital media that in some way take advantage of the unique affordances of those technological forms. Hallmarks of electronic literature (e-lit) include interactivity, immersiveness, fluidly kinetic text and images, and a reliance on the procedural and algorithmic capabilities of computers. Unlike the avant garde art and experimental poetry that is its direct forebear, e-lit has been dominated for much of its existence by a single, proprietary technology: Adobe’s Flash. For fifteen years, many e-lit authors have relied on Flash—and its earlier iteration, Macromedia Shockwave—to develop their multimedia works. And for fifteen years, readers of e-lit have relied on Flash running in their web browsers to engage with these works.
Flash is dying though. Apple does not allow Flash in its wildly popular iPhones and iPads. Android no longer supports Flash on its smartphones and tablets. Even Adobe itself has stopped throwing its weight behind Flash. Flash is dying. And with it, potentially an entire generation of e-lit work that cannot be accessed without Flash. The slow death of Flash also leaves a host of authors who can no longer create in their chosen medium. It’s as if a novelist were told that she could no longer use a word processor—indeed, no longer even use words. Continue reading
Below is the text of my presentation at the 2013 MLA Convention in Boston. The panel was Reading the Invisible and Unwanted in Old and New Media, and it was assembled by Lori Emerson, Paul Benzon, Zach Whalen, and myself.
Seeking to have a rich discussion period—which we did indeed have—we limited our talks to about 12 minutes each. My presentation was therefore more evocative than comprehensive, more open-ended than conclusive. There are primary sources I’m still searching for and technical details I’m still sorting out. I welcome feedback, criticism, and leads.
An Account of Randomness in Literary Computing
MLA 2013, Boston
There’s a very simple question I want to ask this evening:
Where does randomness come from?
Randomness has a rich history in arts and literature, which I don’t need to go into today. Suffice it to say that long before Tristan Tzara suggested writing a poem by pulling words out of a hat, artists, composers, and writers have used so-called “chance operations” to create unpredictable, provocative, and occasionally nonsensical work. John Cage famously used chance operations in his experimental compositions, relying on lists of random numbers from Bell Labs to determine elements like pitch, amplitude, and duration (Holmes 107–108). Jackson Mac Low similarly used random numbers to generate his poetry, in particular relying on a book called A Million Random Digits with 100,000 Normal Deviates to supply him with the random numbers (Zweig 85).
Published by the RAND Corporation in 1955 to supply Cold War scientists with random numbers to use in statistical modeling (Bennett 135), the book is still in print—and you should check out the parody reviews on Amazon.com. “With so many terrific random digits,” one reviewer jokes, “it’s a shame they didn’t sort them, to make it easier to find the one you’re looking for.”
This joke actually speaks to a key aspect of randomness: the need to reuse random numbers, so that, say you’re running a simulation of nuclear fission, you can repeat the simulation with the same random numbers—that is, the same probability—while testing some other variable. In fact, most of the early work on random number generation in the United States was funded by either the U.S. Atomic Commission or the U.S. Military (Montfort et al. 128). The RAND Corporation itself began as a research and development arm of the U.S. Air Force.
Now the thing with going down a list of random numbers in a book, or pulling words out of hat—a composition method, by the way, Thom Yorke used for Kid A after a frustrating bout of writer’s block—is that the process is visible. Randomness in these cases produces surprises, but the source itself of randomness is not a surprise. You can see how it’s done.
What I want to ask here today is, where does randomness come from when it’s invisible? What’s the digital equivalent of pulling words out of a hat? And what are the implications of chance operations performed by a machine?
To begin to answer these questions I am going to look at two early works of electronic literature that rely on chance operations. And when I say early works of electronic literature, I mean early, from fifty and sixty years ago. One of these works has been well studied and the other has been all but forgotten.
My first case study is the Strachey Love Letter Generator. Programmed by Christopher Strachey, a close friend of Alan Turing, the Love Letter Generator is likely—as Noah Wardrip-Fruin argues—the first work of electronic literature, which is to say a digital work that somehow makes us more aware of language and meaning-making. Strachey’s program “wrote” a series of purplish prose love letters on the Ferranti Mark I Computer—the first commercially available computer—at Manchester University in 1952 (Wardrip-Fruin “Digital Media” 302):
YOU ARE MY AVID FELLOW FEELING. MY AFFECTION CURIOUSLY CLINGS TO YOUR PASSIONATE WISH. MY LIKING YEARNS FOR YOUR HEART. YOU ARE MY WISTFUL SYMPATHY: MY TENDER LIKING.
M. U. C.
Affectionately known as M.U.C., the Manchester University Computer could produce these love letters at a pace of one per minute, for hours on end, without producing a duplicate.
The “trick,” as Strachey put it in a 1954 essay about the program (29-30), is its two template sentences (My adjective noun adverb verb your adjective noun and You are my adjective noun) in which the nouns, adjectives, and adverbs are randomly selected from a list of words Strachey had culled from a Roget’s thesaurus. Adverbs and adjectives randomly drop out of the sentence as well, and the computer randomly alternates the two sentences.
The Love Letter Generator has attracted—for a work of electronic literature—a great deal of scholarly attention. Using Strachey’s original notes and source code (see figure to the left), which are archived at the Bodleian Library at the University of Oxford, David Link has built an emulator that runs Strachey’s program, and Noah Wardrip-Fruin has written a masterful study of both the generator and its historical context.
As Wardrip-Fruin calculates, given that there are 31 possible adjectives after the first sentence’s opening possessive pronoun “My” and then 20 possible nouns that could that could occupy the following slot, the first three words of this sentence alone have 899 possibilities. And the entire sentence has over 424 million combinations (424,305,525 to be precise) (“Digital Media” 311).
On the whole, Strachey was publicly dismissive of his foray into the literary use of computers. In his 1954 essay, which appeared in the prestigious trans-Atlantic arts and culture journal Encounter (a journal, it would be revealed in the late 1960s, that was primarily funded by the CIA—see Berry, 1993), Strachey used the example of the love letters to illustrate his point that simple rules can generate diverse and unexpected results (Strachey 29-30). And indeed, the Love Letter Generator qualifies as an early example of what Wardrip-Fruin calls, referring to a different work entirely, the Tale-Spin effect: a surface illusion of simplicity which hides a much more complicated—and often more interesting—series of internal processes (Expressive Processing 122).
Wardrip-Fruin coined this term—the Tale-Spin effect—from Tale-Spin, an early story generation system designed by James Mehann at Yale University in 1976. Tale-Spin tended to produce flat, plodding narratives, though there was the occasional existential story:
But even in these suggestive cases, the narratives give no sense of the process-intensive—to borrow from Chris Crawford—calculations and assumptions occurring behind the interface of Tale-Spin.
In a similar fashion, no single love letter reveals the combinatory procedures at work by the Mark I computer.
MY AFFECTION LUSTS FOR YOUR TENDERNESS. YOU ARE MY PASSIONATE DEVOTION: MY WISTFUL TENDERNESS. MY LIKING WOOS YOUR DEVOTION. MY APPETITE ARDENTLY TREASURES YOUR FERVENT HUNGER.
M. U. C.
This Tale-Spin effect—the underlying processes obscured by the seemingly simplistic, even comical surface text—are what draw Wardrip-Fruin to the work. But I want to go deeper than the algorithmic process that can produce hundreds of millions of possible love letters. I want to know, what is the source of randomness in the algorithm? We know Strachey’s program employs randomness, but where does that randomness come from? This is something the program—the source code itself—cannot tell us, because randomness operates at a different level, not at the level of code or software, but in the machine itself, at the level of hardware.
In the case of Strachey’s Love Letter Generator, we must consider the computer it was designed for, the Mark I. One of the remarkable features of this computer was that it had a hardware-based random number generator. The random number generator pulled a string of random numbers from what Turing called “resistance noise”—that is, electrical signals produced by the physical functioning of the machine itself—and put the twenty least significant digits of this number into the Mark I’s accumulator—its primary mathematical engine (Turing). Alan Turing himself specifically requested this feature, having theorized with his earlier Turing Machine that a purely logical machine could not produce randomness (Shiner). And Turing knew—like his Cold War counterparts in the United States—that random numbers were crucial for any kind of statistical modeling of nuclear fission.
I have more to say about randomness in the Strachey Love Letter Generator, but before I do, I want to move to my second case study. This is an early, largely unheralded work called SAGA. SAGA was a script-writing program on the TX-0 computer. The TX-0 was the first computer to replace vacuum tubes with transistors and also the first to use interactive graphics—it even had a light pen.
The TX-0 was built at Lincoln Laboratory in 1956—a classified MIT facility in Bedford, Massachusetts chartered with the mission of designing the nation’s first air defense detection system. After TX-0 proved that transistors could out-perform and outlast vacuum tubes, the computer was transferred to MIT’s Research Laboratory of Electronics in 1958 (McKenzie), where it became a kind of playground for the first generation of hackers (Levy 29-30).
In 1960, CBS broadcast an hour-long special about computers called “The Thinking Machine.” For the show MIT engineers Douglas Ross and Harrison Morse wrote a 13,000 line program in six weeks that generated a climactic shoot-out scene from a Western.
Several computer-generated variations of the script were performed on the CBS program. As Ross told the story years later, “The CBS director said, ‘Gee, Westerns are so cut and dried couldn’t you write a program for one?’ And I was talked into it.”
The TX-0’s large—for the time period—magnetic core memory was used “to keep track of everything down to the actors’ hands.” As Ross explained it, “The logic choreographed the movement of each object, hands, guns, glasses, doors, etc.” (“Highlights from the Computer Museum Report”).
And here, is the actual output from the TX-0, printed on the lab’s Flexowriter printer, where you can get a sense of the way SAGA generated the play:
In the CBS broadcast, Ross explained the narrative sequence as a series of forking paths.
Each “run” of SAGA was defined by sixteen initial state variables, with each state having several weighted branches (Ross 2). For example, one of the initial settings is who sees whom first. Does the sheriff see the robber first or is it the other way around? This variable will influence who shoots first as well.
There’s also a variable the programmers called the “inebriation factor,” which increases a bit with every shot of whiskey, and doubles for every swig straight from the bottle. The more the robber drinks, the less logical he will be. In short, every possibility has its own likely consequence, measured in terms of probability.
The MIT engineers had a mathematical formula for this probability (Ross 2):
But more revealing to us is the procedure itself of writing one of these Western playlets.
First, a random number was set; this number determined the probability of the various weighted branches. The programmers did this simply by typing a number following the RUN command when they launched SAGA; you can see this in the second slide above, where the random number is 51455. Next a timing number established how long the robber is alone before the sheriff arrives (the longer the robber is alone, the more likely he’ll drink). Finally each state variable is read, and the outcome—or branch—of each step is determined.
What I want to call your attention to is how the random number is not generated by the machine. It is entered in “by hand” when one “runs” the program. In fact, launching SAGA with the same random number and the same switch settings will reproduce a play exactly (Ross 2).
In a foundational work in 1996 called The Virtual Muse Charles Hartman observed that randomness “has always been the main contribution that computers have made to the writing of poetry”—and one might be tempted to add, to electronic literature in general (Hartman 30). Yet the two case studies I have presented today complicate this notion. The Strachey Love Letter Generator would appear to exemplify the use of randomness in electronic literature. But—and I didn’t say this earlier—the random numbers generated by the Mark I’s method tended not to be reliably random enough; remember, random numbers often need to be reused, so that the programs that run them can be repeated. This is called pseudo-randomness. This is why books like the RAND Corporation’s A Million Random Digits is so valuable.
But the Mark I’s random numbers were so unreliable that they made debugging programs difficult, because errors never occurred the same way twice. The random number instruction eventually fell out of use on the machine (Campbell-Kelly 136). Skip ahead 8 years to the TX-0 and we find a computer that doesn’t even have a random number generator. The random numbers must be entered manually.
The examples of the Love Letters and SAGA suggest at least two things about the source of randomness in literary computing. One, there is a social-historical source; wherever you look at randomness in early computing, the Cold War is there. The impact of the Cold War upon computing and videogames has been well-documented (see, for example Edwards, 1996 and Crogan, 2011), but few have studied how deeply embedded the Cold War is in the software algorithms and hardware processes themselves of modern computing.
Second, randomness does not have a progressive timeline. The story of randomness in computing—and especially in literary computing—is neither straightforward nor self-evident. Its history is uneven, contested, and mostly invisible. So that even when we understand the concept of randomness in electronic literature—and new media in general—we often misapprehend its source.
Bennett, Deborah. Randomness. Cambridge, MA: Harvard University Press, 1998. Print.
Berry, Neil. “Encounter.” Antioch Review 51.2 (1993): 194. Print.
Crogan, Patrick. Gameplay Mode: War, Simulation, and Technoculture. Minneapolis: University of Minnesota Press, 2011. Print.
Edwards, Paul N. The Closed World: Computers and the Politics of Discourse in Cold War America. Cambridge, MA: MIT Press, 1996. Print.
Hartman, Charles O. Virtual Muse: Experiments in Computer Poetry. Hanover, NH: Wesleyan University Press, 1996. Print.
“Highlights from the Computer Museum Report.” Spring 1984. Web. 23 Dec. 2012.
Holmes, Thomas B. Electronic and Experimental Music: A History of a New Sound. Psychology Press, 2002. Print.
Levy, Steven. Hackers: Heroes of the Computer Revolution. Sebastopol, CA: O’Reilly Media, 2010. Print.
McKenzie, John A. “TX-0 Computer History.” 1 Oct. 1974. Web. 20 Dec. 2012.
Montfort, Nick et al. 10 PRINT CHR$(205.5+RND(1)); : GOTO 10. Cambridge, MA: MIT Press, 2013. Print.
Ross, D.T. “Memorandum 8436-M-29: Preliminary Operating Notes for SAGA II.” 19 Oct. 1960. 20 Dec. 2012. <http://bitsavers.trailing-edge.com/pdf/mit/tx-0/memos/Morse_SAGAII_Oct60.pdf>.
Shiner, Jeff. “Alan Turing’s Contribution Can’t Be Computed.” Agile Blog. 29 Dec. 2012. <http://blog.agilebits.com/2012/12/08/alan-turings-contribution-cant-be-computed/>.
Strachey, Christopher. “The ‘Thinking’ Machine.” Encounter III.4 (1954) : 25–31. Print.
Turing, A.M. “Programmers’ Handbook for the Manchester Electronic Computer Mark II.” Oct. 1952. Web. 23 Dec. 2012.
Wardrip-Fruin, Noah. “Digital Media Archaeology: Interpreting Computational Processes.” Media Archaeology: Approaches, Applications, and Implications. Ed by. Erkki Huhtamo & Jussi Parikka. Berkeley, California: University of California Press, 2011. Print.
—. Expressive Processing: Digital Fictions, Computer Games, and Software Sudies. MIT Press, 2009. Print.
Zweig, Ellen. “Jackson Mac Low: The Limits of Formalism.” Poetics Today 3.3 (1982): 79–86. Web. 1 Jan. 2013.
IMAGE CREDITS (in order of appearance)
Being, On. Alan Turing and the Mark 1. 2010. 24 Dec. 2012. <http://www.flickr.com/photos/speakingoffaith/4422523721/>.
A Million Random Digits with 100,000 Normal Deviates. Courtesy of Casey Reas and10 PRINT CHR$(205.5+RND(1));: GOTO 10. Cambridge, Mass.: MIT Press, 2013. 129.
“Ferranti Mark 1 Sales Literature.” 24 Dec. 2012. <http://www.computer50.org/kgill/mark1/sale.html>.
Image of Love Letter Source code courtesy of Link, David. “There Must Be an Angel: On the Beginnings of the Arithmetics of Rays.” 2006. 23 Dec. 2012. <http://alpha60.de/research/muc/DavidLink_RadarAngels_EN.htm>.
Still Image from “The Thinking Machine.” CBS, October 26, 1960. <http://techtv.mit.edu/videos/10268-the-thinking-machine-1961—mit-centennial-film>.
Western Drama Written by TX-0. 1960. Computer History Museum. Web. 20 Dec. 2012. <http://www.computerhistory.org/collections/accession/102631242>.
SAGA Printout from Pfeiffer, John E. The Thinking Machine. Philadelphia: Lippincott, 1962. 132. Print.
Doug Ross Explaining TX-0 Program in the Film “The Thinking Machine.” 1960. Computer History Museum. Web. 20 Dec. 2012. <http://www.computerhistory.org/collections/accession/102631241>.
On November 2 and 3, George Mason University convened a forum on the Future of Higher Education. Alternating between plenary panels and keynote presentations, the forum brought together observers of higher education as well as faculty and administrators from Mason and beyond. I was invited to appear on a panel about student learning and technology. The majority of the session was dedicated to Q&A moderated by Steve Pearlstein, but I did speak briefly about social pedagogy. Below are my remarks.
This morning I’d to share a few of my experiences with what you could call social pedagogy—a term I’ve borrowed from Randy Bass at the Center for New Designs in Learning and Scholarship at Georgetown University. Think of social pedagogy as outward facing pedagogy, in which learners connect to each other and to the world, and not just the professor. Social Pedagogy is also a lean-forward pedagogy. At its best a lean-forward pedagogy generates engagement, attention, and anticipation. Students literally lean forward. The opposite of a lean-forward pedagogy is of course a lean-back pedagogy. Just picture a student leaning back in the chair, passive, slack, and even bored.
A lean-forward social pedagogy doesn’t have to involve technology at all, but this morning I want to describe two examples from my own teaching that use Twitter. Last fall I was teaching a science fiction class and we were preparing to watch Ridley Scott’s Blade Runner. Since I wasn’t screening the film in class, students would be watching it in all sorts of contexts: on Netflix in the residence hall, on a reserve DVD upstairs in the JC, rented from iTunes, a BluRay collector’s set at home, and so on. However, I still wanted to create a collective experience out of these disparate viewings. To this end, I asked students to “live tweet” their own viewing, posting to Twitter whatever came to mind as they watched the film.
In this way I turned movie watching—a lean-back activity—into a lean-forward practice. And because the students often directed their tweets as replies to each other, it was social, much more social than viewing the film in class together. Over a 5-day period I had hundreds of tweets coming in, and I used a tool called Storify to track rhetorical and interpretative moves students made during this assignment. In particular, I categorized the incoming tweets, bringing to the surface some underlying themes in my students’ tweets. And then we began the next class period by examining the tweets and the themes they pointed to.
My next example of a social pedagogy assignment comes from later in the semester in the same science fiction class. I had students write a “Twitter essay.” This is an idea I borrowed from Jesse Stommel at Georgia Tech. For this activity, students wrote an “essay” of exactly 140 characters defining the word “alien.” The 140-character constraint makes this essay into a kind of puzzle, one that requires lean-forward style of engagement. And of course, I posed the essay question in a 140-character tweet:
Again I used Storify to capture my students’ essays and cluster them around themes. I was also able to highlight a Twitter debate that broke out among my students about the differences between the words alien and foreign. This was a productive debate that I’m not sure would have occurred if I hadn’t forced the students into being so precise—because they were on Twitter—about their use of language.
And finally, I copied and pasted the text from all the Twitter essays into Wordle, which generated a word cloud—in which every word is sized according to its frequency.
The word cloud gave me an admittedly reductivist snapshot of all the definitions of alien my students came up with. But the image ended up driving our next class discussion, as we debated what made it onto the word cloud and why.
These are two fairly simple, low-stakes activities I did in class. But they highlight this blend of technology and a lean-forward social pedagogy that I have increasingly tried to integrate into my teaching—and to think critically about as a way of fostering inquiry and discovery with my students.
[Crowd photograph courtesy of Flickr user Michael Dornbierer / Creative Commons Licensed]
These are sessions that in some way address the influence and impact of digital materials and tools upon language, literary, textual, and media studies, as well as upon online pedagogy and scholarly communication. The 2013 list stands at 66 sessions, a slight increase from 58 sessions in 2012 (and 44 in 2011, and only 27 the year before). Perhaps the incremental increase this year means that the digital humanities presence at the convention is topping out, leveling out at 8% of the 795 total sessions. Or maybe it’s an indicator of growing resistance to what some see as the hegemony of digital humanities. Or it could be that I simply missed some sessions—if so, please correct me in the comments and I’ll add the session to the list.
In addition to events on the official program, there’s also a pre-convention workshop, Getting Started in the Digital Humanities with DHCommons (registration is now closed for this, alas) and a Technology and Humanities “unconference” (registration still open). And I’ll also highly recommend the Electronic Literature Exhibit, in the Exhibit Hall.
One final note: the title of each panel links back to its official description in the convention program, which occasionally includes supplemental material uploaded by panel participants.
[Photo credit: Lewis Hine, Boys picking over garbage on "the Dumps," Boston, 1909 / Courtesy of the Library of Congress]
Thursday, 3 January, 8:30–11:30 a.m., Republic B, Sheraton
Presiding: Brian Croxall, Emory Univ.; Adeline Koh, Richard Stockton Coll. of New Jersey
This workshop is an "unconference" on digital pedagogy. Unconferences are participant-driven gatherings where attendees spontaneously generate the itinerary. Participants will propose discussion topics in advance on our Web site, voting on final sessions at the workshop’s start. Attendees will consider what they would like to learn and instruct others about teaching with technology. Preregistration required.
Thursday, 3 January, 8:30–11:30 a.m., Republic A, Sheraton
Presiding: Alison Byerly, Middlebury Coll.; Kathleen Fitzpatrick, MLA; Katherine A. Rowe, Bryn Mawr Coll.
Facilitated discussion about evaluating work in digital media (e.g., scholarly editions, databases, digital mapping projects, born-digital creative or scholarly work). Designed for both creators of digital materials and administrators or colleagues who evaluate those materials, the workshop will propose strategies for documenting, presenting, and evaluating such work. Preregistration required.
Thursday, 3 January, 12:00 noon–1:15 p.m., Jefferson, Sheraton
Presiding: Jude V. Nixon, Salem State Univ.
- "The Collected Works of Elizabeth Barrett Browning: Print Editions, Digital Surrounds, and Preservation," Sandra M. Donaldson, Univ. of North Dakota; Marjorie I. Stone, Dalhousie Univ.
- "A Virtual Edition of William Morris’s Collected Works," Florence S. Boos, Univ. of Iowa
- "The Novels of Sutton E. Griggs: A Critical Edition," Tess Chakkalakal, Bowdoin Coll.
- "Editing Henry James in the Digital Age," Pierre A. Walker, Salem State Univ.
Thursday, 3 January, 12:00 noon–1:15 p.m., 205, Hynes
Presiding: Trent M. Kays, Univ. of Minnesota, Twin Cities; Lee Skallerup Bessette, Morehead State Univ.
Speakers: Marc Fortin, Queen’s Univ.; Alexander Gil, Univ. of Virginia; Brian Larson, Univ. of Minnesota, Twin Cities; Sophie Marcotte, Concordia Univ.; Ernesto Priego, London, England
Digital humanities are often seen to be a monolith, as shown in recent publications that focus almost exclusively on the United States and English-language projects. This roundtable will bring together digital humanities scholars from seemingly disparate disciplines to show how bridges can be built among languages, cultures, and geographic regions in and through digital humanities.
Thursday, 3 January, 12:00 noon–1:15 p.m., The Fens, Sheraton
- "From Text to Work: Douglas Coupland’s Digital Interruptions and the Labor of Form," Paul Benzon, Temple Univ., Philadelphia
- "The Mediated Geographies of Miéville’s The City and the City," Richard Menke, Univ. of Georgia
- "Tom McCarthy’s Prehistory of Media," Aaron S. Worth, Boston Univ.
Thursday, 3 January, 1:45–3:00 p.m., 301, Hynes
Presiding: Eileen Lohka, Univ. of Calgary; Catherine Perry, Univ. of Notre Dame
- "The Internet Poetics of Patrick Chamoiseau and Édouard Glissant," Roxanna Curto, Univ. of Iowa
- "Toussaint en Amérique: Collaborations, dialogues et créations multi-disciplinaires," Alain-Philippe Durand, Univ. of Arizona
- "Bandes dessinées téléchargeables: Un nouveau moyen de mesurer la diffusion de la langue française au 21ème siècle," Henri-Simon Blanc-Hoang, Defense Lang. Inst.
Thursday, 3 January, 1:45–3:00 p.m., 206, Hynes
Presiding: Sébastien Dubreil, Univ. of Tennessee, Knoxville
- "Teaching Language and Culture through Social Media and Networks," Edward M. Dixon, Univ. of Pennsylvania
- "Developing Pronunciation Skills at the Introductory Level: Motivating Students through Interpersonal Audio Discussions," Cindy Lepore, Univ. of Alabama, Tuscaloosa
- "Español Two Hundred: Bridging Medium, Collaboration, and Communities of Practice," Adolfo Carrillo Cabello, Iowa State Univ.; Cristina Pardo Ballester, Iowa State Univ.
Thursday, 3 January, 1:45–3:00 p.m., Public Garden, Sheraton
Presiding: Nate Kreuter, Western Carolina Univ.
- "Metathesiophobia and the Impossible Math of the Scholarly Monograph," Patricia Roberts-Miller, Univ. of Texas, Austin
- "Hope and Habit(u)s?" Victor J. Vitanza, Clemson Univ.
- "Publishing Long-Form Multimedia Scholarship: Thinking about Bookness," Gail E. Hawisher, Univ. of Illinois, Urbana; Cynthia L. Selfe, Ohio State Univ., Columbus
Thursday, 3 January, 3:30–4:45 p.m., Hampton, Sheraton
Presiding: Cynthia R. Port, Coastal Carolina Univ.
- "Aging as Obsolescence: Remediating Old Narratives in a New Age," Erin Lamb, Hiram Coll.
- "Typewriters to Tweeters: Women, Aging, and Technological Literacy," Lauren Marshall Bowen, Michigan Technological Univ.
- "The New Obsolescence of New Media: Political Affect and Retrotechnologies," Jen Boyle, Coastal Carolina Univ.
Thursday, 3 January, 3:30–4:45 p.m., Public Garden, Sheraton
Presiding: Shelley Fisher Fishkin, Stanford Univ.
- "Living Word," Corrie Claiborne, Morehouse Coll.
- "Digital Griots," Adam Banks, Univ. of Kentucky
- "Hip-Hop Archives," Marcyliena Morgan, Harvard Univ.
Thursday, 3 January, 5:15–6:30 p.m., Berkeley, Sheraton
Presiding: Robert R. Bleil, Coll. of Coastal Georgia; Jennifer Gray, Coll. of Coastal Georgia
Speakers: Susan Cook, Southern New Hampshire Univ.; Christopher Dickman, Saint Louis Univ.; T. Geiger, Syracuse Univ.; Jennifer Gray; Matthew Parfitt, Boston Univ.; James Sanchez, Texas Christian Univ.
Responding: Robert R. Bleil
Nicholas Carr’s 2008 article "Is Google Making Us Stupid?" and his 2010 book The Shallows: What the Internet Is Doing to Our Brains argue that the paradigms of our digital lives have shifted significantly in two decades of living life online. This roundtable unites teachers of composition and literature to explore cultural, psychological, and developmental changes for students and teachers.
130. Archive Fever: New Methodologies and New Questions for United States Literary and Cultural Studies
Thursday, 3 January, 5:15–6:30 p.m., Fairfax B, Sheraton
Presiding: Tim Cassedy, Southern Methodist Univ.
Speakers: Robin Bernstein, Harvard Univ.; Lindsay DiCuirci, Univ. of Maryland Baltimore County; Laura Fisher, New York Univ.; Laurie Lambert, New York Univ.; Janice A. Radway, Northwestern Univ.; Joseph Rezek, Boston Univ.
Archivally driven research is changing the methodologies with which we approach the past, the types of questions that we can ask and answer, and the historical voices that are heard and suppressed. The session will address the role of archives, both digital and material, in literary and cultural studies. What risks and rewards do we need to be aware of when we use them?
Thursday, 3 January, 5:15–6:30 p.m., The Fens, Sheraton
Presiding: Lori A. Emerson, Univ. of Colorado, Boulder
- "Apple Macintosh and the Ideology of the User-Friendly," Lori A. Emerson
- "OCR (Optical Character Recognition) and the Vestigial Aesthetics of Machine Vision," Zach Whalen, Univ. of Mary Washington
- "Lost in Plain Sight: Microdot Technology and the Compression of Reading," Paul Benzon, Temple Univ., Philadelphia
- "An Account of Randomness in Literary Computing," Mark Sample, George Mason Univ.
Thursday, 3 January, 5:15–6:30 p.m., Beacon F, Sheraton
Presiding: Greg Barnhisel, Duquesne Univ.
- "Printing the Third Dimension in the Renaissance," Travis D. Williams, Univ. of Rhode Island
- "Mediating Power in American Editions of Verne’s Twenty Thousand Leagues under the Sea," Matthew Lavin, Univ. of Iowa
- "Printed Books, Digital Poetics, and the Aesthetic of Bookishness," Jessica Pressman, Yale Univ.
Responding: Stephanie Ann Smith, Univ. of Florida
Thursday, 3 January, 5:15–6:30 p.m., Liberty C, Sheraton
Presiding: Andrew Piper, McGill Univ.
Speakers: Mark Algee-Hewitt, Stanford Univ.; Lindsey Eckert, Univ. of Toronto; Neil Fraistat, Univ. of Maryland, College Park; Matthew Jockers, Univ. of Nebraska, Lincoln; Laura C. Mandell, Texas A&M Univ., College Station; Jeffrey Thompson Schnapp, Harvard Univ.
As part of the ongoing debate about the impact and efficacy of the digital humanities, this roundtable will explore the theoretical, practical, and political implications of the rise of the literary lab. How will changes in the materiality and spatiality of our research and writing change the nature of that research? How will the literary lab impact the way we work?
163. Tweeting the Revolution: Networked Media, the Rhetorics of Activism, and Practices of the Everyday
Thursday, 3 January, 7:00–8:15 p.m., Gardner, Sheraton
- "Occupy Theory: Tahrir and Global Occupy Two Years After," Nicholas Mirzoeff, New York Univ.
- "Tweeting the Revolution: Activism, Risk, and Mediated Copresence," Beth M. Coleman, Univ. of Waterloo
Thursday, 3 January, 7:00–8:15 p.m., Hampton, Sheraton
Speakers: Douglas M. Armato, Univ. of Minnesota Press; Jamie Skye Bianco, Univ. of Pittsburgh; Matthew K. Gold, New York City Coll. of Tech., City Univ. of New York; Jennifer Laherty, Indiana Univ., Bloomington; Monica McCormick, New York Univ.; Katie Rawson, Emory Univ.
As open-access scholarly publishing matures and movements such as the Elsevier boycott continue to grow, open-access publications have begun to move beyond the simple (but crucial) principle of openness toward an ideal of interactivity. This session will explore innovative examples of open-access scholarly publishing that showcase new types of social, interactive, mixed-media texts.
Thursday, 3 January, 7:00–8:15 p.m., Riverway, Sheraton
Presiding: Stefano Franchi, Texas A&M Univ., College Station
- "Theoretical Things for the Humanities," Geoffrey Rockwell, Univ. of Alberta
- "From Artificial Intelligence to Artistic Practices: A New Theoretical Model for the Digital Humanities," Stefano Franchi
- "Object-Oriented Ontology: Escaping the Title of the Book," David Washington, Loyola Univ., New Orleans
Friday, 4 January, 8:30–9:45 a.m., Hampton, Sheraton
Presiding: Alex Mueller, Univ. of Massachusetts, Boston
Speakers: Kathleen Fitzpatrick, MLA; Martin Foys, Drew Univ.; Matthew Kirschenbaum, Univ. of Maryland, College Park; Stephen G. Nichols, Johns Hopkins Univ., MD; Kathleen A. Tonry, Univ. of Connecticut, Storrs; Sarah Werner, Folger Shakespeare Library
In this roundtable, scholars of manuscripts, print, and digital media will discuss how contemporary forms of textuality intersect with, duplicate, extend, or draw on manuscript technologies. Panelists seek to push the discussion beyond traditional notions of supersession or remediation to consider the relevance of past textual practices in our analyses of emergent ones.
Friday, 4 January, 8:30–9:45 a.m., Commonwealth, Sheraton
Presiding: Christine Henseler, Union Coll., NY
- "The Promise of Humanities Practice," Lynn Pasquerella, Mount Holyoke Coll.
- "Making the Humanities ‘Count,’" David Theo Goldberg, Univ. of California, Irvine
- "The National Endowment for the Humanities," Jane Aikin, National Endowment for the Humanities
- "The Humanities in the Digital Age," Christine Henseler
Friday, 4 January, 8:30–9:45 a.m., Beacon D, Sheraton
Presiding: Sophie McCall, Simon Fraser Univ., Burnaby
- "AvantGarde.ca: Toward a Canadian Alienethnic Poetics of the Internet," Sunny Chan, Univ. of British Columbia
- "Intermedial Witnessing in Karen Connelly’s Burmese Lessons," Hannah McGregor, Univ. of Guelph
- "Aboriginal New Media: Alternative Forms of Storytelling," Sarah Henzi, Univ. of Montreal
Friday, 4 January, 10:15–11:30 a.m., Gardner, Sheraton
Presiding: Adeline Koh, Richard Stockton Coll. of New Jersey
Speakers: Moya Bailey, Emory Univ.; Anne Cong-Huyen, Univ. of California, Santa Barbara; Hussein Keshani, Univ. of British Columbia; Maria Velazquez, Univ. of Maryland, College Park
Responding: Alondra Nelson, Columbia Univ.
This panel examines the politics of race, ethnicity, and silence in the digital humanities. How has the digital humanities remained silent on issues of race and ethnicity? How does this silence reinforce unspoken assumptions and doxa? What is the function of racialized silences in digital archival projects?
Friday, 4 January, 12:00 noon–1:15 p.m., Berkeley, Sheraton
Presiding: Susan Brown, Univ. of Guelph
Speakers: Travis Brown, Univ. of Maryland, College Park; Johanna Drucker, Univ. of California, Los Angeles; Eric Rochester, Univ. of Virginia; Geoffrey Rockwell, Univ. of Alberta; Jentery Sayers, Univ. of Victoria; Susan Schreibman, Trinity Coll. Dublin
Working only with set texts limits the use of many digital tools. What most advances literary research: aiming applications at scholarly primitives or at more culturally embedded activities that may resist generalization? Panelists’ reflections on the challenges of interoperability in a methodologically diverse field will include project snapshots evaluating the potential or perils of such aims.
Friday, 4 January, 1:30–3:30 p.m., 210, Hynes
Presiding: Jason C. Rhody, National Endowment for the Humanities
This workshop will highlight recent awards and outline current funding opportunities. In addition to emphasizing grant programs that support individual and collaborative research and education, the workshop will include information on the NEH’s Office of Digital Humanities. A question-and-answer period will follow.
Friday, 4 January, 1:45–3:00 p.m., Back Bay D, Sheraton
Presiding: Richard A. Grusin, Univ. of Wisconsin, Milwaukee
Speakers: Wendy H. Chun, Brown Univ.; Richard A. Grusin; Patrick Jagoda, Univ. of Chicago; Tara McPherson, Univ. of Southern California; Rita Raley, Univ. of California, Santa Barbara
This roundtable explores the impact of digital humanities on research and teaching in higher education and the question of how digital humanities will affect the future of the humanities in general. Speakers will offer models of digital humanities that are not rooted in technocratic rationality or neoliberal economic calculus but that emerge from and inform traditional practices of humanist inquiry.
Friday, 4 January, 1:45–3:00 p.m., Fairfax A, Sheraton
Presiding: Stephen G. Nichols, Johns Hopkins Univ., MD
Speakers: Karen L. Fresco, Univ. of Illinois, Urbana; Albert Lloret, Univ. of Massachusetts, Amherst; Jacques Neefs, Johns Hopkins Univ., MD
Responding: Timothy L. Stinson, North Carolina State Univ.
This panel explores the resistance of editors to explore digital editions. Questions posed: Do scholarly protocols deliberately resist computational methodologies? Or are we still in a liminal period where print predominates for lack of training in the new technology? Does the problem lie with a failure to encourage digital research by younger scholars?
Friday, 4 January, 1:45–3:00 p.m., Jefferson, Sheraton
Presiding: Michael Witmore, Folger Shakespeare Library
- "Touching Apocalypse: Influence and Influenza in the Digital Age," Daniel Allen Shore, Georgetown Univ.
- "The Social Network: Protestant Letter Networks in the Reign of Mary I," Ruth Ahnert, Queen Mary, Univ. of London
- "Credit and Temporal Consciousness in Early Modern English Drama," Mattie Burkert, Univ. of Wisconsin, Madison
Friday, 4 January, 3:30–4:45 p.m., Berkeley, Sheraton
Presiding: James H. Cox, Univ. of Texas, Austin
- "Occom, Archives, and the Digital Humanities," Ivy Schweitzer, Dartmouth Coll.
- "To Look through Red-Colored Glasses: Native Studies and a Revisioning of the Early American Archive," Caroline Wigginton, Rutgers Univ., New Brunswick
- "The Early Native Archive and United States National Identity," Angela Calcaterra, Univ. of North Carolina, Chapel Hill
Friday, 4 January, 3:30–4:45 p.m., Republic Ballroom, Sheraton
Presiding: Michael Bérubé, Penn State Univ., University Park
- "The Mirror and the LAMP," Matthew Kirschenbaum, Univ. of Maryland, College Park
- "Access Demands a Paradigm Shift," Cathy N. Davidson, Duke Univ.
- "Resistance in the Materials," Bethany Nowviskie, Univ. of Virginia
The news that digital humanities are the next big thing must come as a pleasant surprise to people who have been working in the field for decades. Yet only recently has the scholarly community at large realized that developments in new media have implications not only for the form but also for the content of scholarly communication. This session will explore some of those implications—for scholars, for libraries, for journals, and for the idea of intellectual property.
Friday, 4 January, 3:30–4:45 p.m., Hampton, Sheraton
Presiding: Hillary L. Chute, Univ. of Chicago
- "Playful Aesthetics," Mary Flanagan, Dartmouth Coll.
- "Losing the Game: Gamification and the Procedural Aesthetics of Systemic Failure," Patrick Jagoda, Univ. of Chicago
- "Acoustemologies of the Closet: The Wizard, the Troll, and the Fortress," William Cheng, Harvard Univ.
Friday, 4 January, 5:15–6:30 p.m., Fairfax A, Sheraton
Presiding: Domino Renee Perez, Univ. of Texas, Austin
- "’Machete Don’t Text': Robert Rodriguez’s Media Ecologies," William Orchard, Colby Coll.
- "Convergence Cultura? Reevaluating New Media Scholarship through a Latina/o Literary Blog, La Bloga," Jennifer Lozano, Univ. of Illinois, Urbana
- "César Chávez’s Video Library; or, Farm Workers and the Secret History of New Media," Curtis Frank Márez, Univ. of California, San Diego
Friday, 4 January, 5:15–6:30 p.m., Back Bay D, Sheraton
Presiding: Russell A. Berman, Stanford Univ.
Speakers: Carlos J. Alonso, Columbia Univ.; Lanisa Kitchiner, Howard Univ.; David Laurence, MLA; Bethany Nowviskie, Univ. of Virginia; Elizabeth M. Schwartz, San Joaquin Delta Coll., CA; Sidonie Ann Smith, Univ. of Michigan, Ann Arbor; Kathleen Woodward, Univ. of Washington, Seattle
Doctoral study faces multiple pressures, including profound transformations in higher education and the academic job market, changing conditions for new faculty members, the new media of scholarly communication, and placements in nonfaculty positions. These and other factors question the viability of conventional assumptions regarding doctoral education.
Friday, 4 January, 5:15–6:30 p.m., Berkeley, Sheraton
Presiding: Alan Galey, Univ. of Toronto; Katherine D. Harris, San José State Univ.
- "Echoes at Our Peril: Small Feminist Archives in Big Digital Humanities," Katherine D. Harris
- "The Archipelagic Archive: Caribbean Studies on a Diff Key," Alexander Gil, Univ. of Virginia
- "Universal Design and Disability in the Digital Archive," Karen Bourrier, Univ. of Western Ontario
- "Digital Humanities and the Separation of Access, Ownership, and Reading," Zachary Zimmer, Virginia Polytechnic Inst. and State Univ.
Friday, 4 January, 7:00–8:15 p.m., Back Bay D, Sheraton
Presiding: Peter S. Donaldson, Massachusetts Inst. of Tech.
Global Shakespeares (globalshakespeares.org/) is a participatory multicentric project providing free online access to performances of Shakespeare from many parts of the world. The session features presentations and free lab tours of the MIT HyperStudio.
Saturday, 5 January, 8:30–9:45 a.m., Jefferson, Sheraton
Presiding: James F. English, Univ. of Pennsylvania
- "Enumerating and Visualizing Early English Print," Robin Valenza, Univ. of Wisconsin, Madison
- "The Imaginative Use of Numbers," Ted Underwood, Univ. of Illinois, Urbana
- "Being and Time Management," Mark McGurl, Stanford Univ.
Saturday, 5 January, 8:30–9:45 a.m., Beacon H, Sheraton
Presiding: Michelle Nancy Levy, Simon Fraser Univ., Burnaby
- "The Case against Audiobooks," Matthew Rubery, Univ. of London, Queen Mary Coll.
- "Aural Literacy in a Visual Era: Is Anyone Listening?" Cornelius Collins, Fordham Univ., Bronx
- "Novel Sound Tracks and the Future of Hybridized Reading," Justin St. Clair, Univ. of South Alabama
- "Poetry as MP3: PennSound, Poetry Recording, and the New Digital Archive," Lisa A. Hollenbach, Univ. of Wisconsin, Madison
Saturday, 5 January, 8:30–9:45 a.m., Commonwealth, Sheraton
Presiding: Ryan Cordell, Northeastern Univ.; Katherine Singer, Mount Holyoke Coll.
Speakers: Gert Buelens, Ghent Univ.; Sheila T. Cavanagh, Emory Univ.; Malcolm Alan Compitello, Univ. of Arizona; Gabriel Hankins, Univ. of Virginia; Alexander C. Y. Huang, George Washington Univ.; Kevin Quarmby, Emory Univ.; Lynn Ramey, Vanderbilt Univ.; Matthew Schultz, Vassar Coll.
This digital roundtable aims to give insight into challenges and opportunities for new digital humanists. Instead of presenting polished projects, panelists will share their experiences as developing DH practitioners working through research and pedagogical obstacles. Each participant will present lightning talks and then discuss the projects in more detail at individual tables.
Saturday, 5 January, 8:30–9:45 a.m., Berkeley, Sheraton
Presiding: Julie Rak, Univ. of Alberta
- "Curating Lives: Museums, Archives, Online Sites," Alison Booth, Univ. of Virginia
- "Curating Confession: The Intersection of Communicative Capitalism and Autobiography Online," Anna Poletti, Monash Univ.
- "Digital Dioramas: Curating Life Narratives on the World Wide Web," Laurie McNeill, Univ. of British Columbia
- "Archive of Addiction: Augusten Burroughs’s Dry: In Pictures," Nicole M. Stamant, Agnes Scott Coll.
Saturday, 5 January, 8:30–9:45 a.m., Fairfax A, Sheraton
Presiding: Elissa Marder, Emory Univ.
- "A Sub-sublibrarian for the Digital Archive," Jamie Jones, Univ. of Michigan, Ann Arbor
- "Gangs of New York: Fetishizing the Archive, from Benjamin to Scorsese," Melissa Tuckman, Princeton Univ.
- "Pocket Wireless and the Shape of Media to Come, 1899–1920," Grant Wythoff, Princeton Univ.
Saturday, 5 January, 8:30–9:45 a.m., Public Garden, Sheraton
Presiding: Ana-Maria Medina, Metropolitan State Coll. of Denver
Speakers: Lois Bacon, EBSCO; Marshall J. Brown, Univ. of Washington, Seattle; Stuart Alexander Day, Univ. of Kansas; Judy Luther, Informed Strategies; Dana D. Nelson, Vanderbilt Univ.; Joseph Paul Tabbi, Univ. of Illinois, Chicago; Bonnie Wheeler, Southern Methodist Univ.
Changes are happening to the scholarly journal, a fundamental institution of our professional life. New modes of communication open promising possibilities, even as financial challenges to print media and education make this time difficult. A panel of editors, publishers, and librarians will address these topics, carrying forward a discussion begun at the 2012 Delegate Assembly meeting.
Saturday, 5 January, 10:15–11:30 a.m., Commonwealth, Sheraton
Presiding: Brian Croxall, Emory Univ.
Speakers: Evelyn Baldwin, Univ. of Arkansas, Fayetteville; Mikhail Gershovich, Baruch Coll., City Univ. of New York; Janice McCoy, Univ. of Virginia; Ilknur Oded, Defense Lang. Inst.; Amanda Phillips, Univ. of California, Santa Barbara; Anastasia Salter, Univ. of Baltimore; Elizabeth Swanstrom, Florida Atlantic Univ.
This electronic roundtable presents games not only as objects of study but also as methods for innovative pedagogy. Scholars will present on their use of board games, video games, authoring tools, and more for language acquisition, peer-to-peer relationship building, and exploring social justice. This hands-on, show-and-tell session highlights assignments attendees can implement.
Saturday, 5 January, 10:15–11:30 a.m., Beacon F, Sheraton
Presiding: Paul Werstine, Univ. of Western Ontario
- "Having Your Semantics and Formatting It Too: XML and the NVS," Julia H. Flanders, Brown Univ.
- "Variant Stories: Digital Visualization and the Secret Lives of Shakespeare’s Texts," Alan Galey, Univ. of Toronto
- "Digital Alchemy: Transmuting the Electronic Comedy of Errors," Jon Bath, Univ. of Saskatchewan
Saturday, 5 January, 12:00 noon–1:15 p.m., 301, Hynes
Presiding: Claudia Cabello-Hutt, Univ. of North Carolina, Greensboro; Marcy Ellen Schwartz, Rutgers Univ., New Brunswick
Speakers: Daniel Balderston, Univ. of Pittsburgh; Maria Laura Bocaz, Univ. of Mary Washington; Claudia Cabello-Hutt; Alejandro Herrero-Olaizola, Univ. of Michigan, Ann Arbor; Veronica A. Salles-Reese, Georgetown Univ.; Marcy Ellen Schwartz; Vicky Unruh, Univ. of Kansas
This roundtable will explore renewed interest in Latin American archives—both traditional and digital—and the intellectual, political, and social implications for our research and teaching. Presenters will address how new technologies (digitalized collections, hypertext manuscripts, etc.) facilitate access to research and offer strategies for introducing students to a variety of materials.
Saturday, 5 January, 12:00 noon–1:15 p.m., Liberty C, Sheraton
Presiding: Marta L. Werner, D’Youville Coll.
- "’Every Man His Own Publisher': Extraillustration and the Dream of the Universal Library," Gabrielle Dean, Johns Hopkins Univ., MD
- "Interactivity and Randomization Processes in Printed and Electronic Experimental Poetry," Jonathan Baillehache, Rutgers Univ., New Brunswick
- "Mirror World, Minus World: Glitching Nabokov’s Pale Fire," Andrew Ferguson, Univ. of Virginia
- "Designed Futures of the Book," Kari M. Kraus, Univ. of Maryland, College Park
Saturday, 5 January, 12:00 noon–1:15 p.m., Commonwealth, Sheraton
Speakers: Sarah J. Arroyo, California State Univ., Long Beach; R. Scot Barnett, Clemson Univ.; Ron C. Brooks, Oklahoma State Univ., Stillwater; Geoffrey V. Carter, Saginaw Valley State Univ.; Anthony Collamati, Clemson Univ.; Jason Helms, Univ. of Kentucky; Alexandra Hidalgo, Purdue Univ., West Lafayette; Robert Leston, New York City Coll. of Tech., City Univ. of New York
This roundtable will present separate, yet unified, digital writings on laptops. Instead of making a diachronic set of presentations, we will make available a synchronic set, in an art e-gallery format, arranged separately on tables as conceptual art installations. The purpose is to demonstrate how digital technologies can reshape our views of presentations and of what is now called writings.
Saturday, 5 January, 1:45–3:00 p.m., Back Bay D, Sheraton
Presiding: Paul Fyfe, Florida State Univ.; Robert H. Kieft, Occidental Coll.
Speakers: Tanya E. Clement, Univ. of Texas, Austin; Rachel Donahue, Univ. of Maryland, College Park; Kari M. Kraus, Univ. of Maryland, College Park; John Merritt Unsworth, Brandeis Univ.; John A. Walsh, Indiana Univ., Bloomington
This roundtable extends current conversations about reforming graduate training to a burgeoning field of disciplinary crossover and professionalization. Participants will introduce innovative training programs and collaborative projects at the intersections of modern language departments, digital humanities, and library schools or iSchools.
Saturday, 5 January, 1:45–3:00 p.m., Hampton, Sheraton
Presiding: Kathi Inman Berens, Univ. of Southern California
- "The Campus as Interface: Screening the University," Elizabeth Mathews Losh, Univ. of California, San Diego
- "Being Distracted in the Digital Age," Jason Farman, Univ. of Maryland, College Park
- "Virtual Classroom Software: A Medium-Specific Analysis," Kathi Inman Berens
- "The Multisensory Classroom," Leeann Hunter, Georgia Inst. of Tech.
Saturday, 5 January, 1:45–3:00 p.m., Public Garden, Sheraton
Presiding: Michael Hancher, Univ. of Minnesota, Twin Cities
- "Dictionaries in Electronic Form: The Houghton Mifflin Harcourt Experience," David Jost, Houghton Mifflin Harcourt
- "What We’ve Learned about Dictionary Use Online," Peter Sokolowski, Merriam-Webster
- "Lexicography 2.0: Reimagining Dictionaries and Thesauri for the Digital Age," Ben Zimmer, Visual Thesaurus
Responding: Lisa Berglund, State Univ. of New York, Buffalo State Coll.
Saturday, 5 January, 1:45–3:00 p.m., Liberty A, Sheraton
Presiding: Elizabeth M. Schwartz, San Joaquin Delta Coll., CA
- "Peer Review 2.0: Using Digital Technologies to Transform Student Critiques," Elizabeth Harris McCormick, LaGuardia Community Coll., City Univ. of New York; Lykourgos Vasileiou, LaGuardia Community Coll., City Univ. of New York
- "How I Met Your Argument: Teaching through Television," Lanta Davis, Baylor Univ.
- "Writing Wikipedia as Postmodern Research Assignment," Matthew Parfitt, Boston Univ.
- "Weaning Isn’t Everything: Beyond Postformalism in Composition," Miles McCrimmon, J. Sargeant Reynolds Community Coll., VA
Saturday, 5 January, 3:30–4:45 p.m., Commonwealth, Sheraton
Presiding: Roger Whitson, Emory Univ.
Speakers: David Kim, Univ. of California, Los Angeles; Jennifer Sano-Franchini, Michigan State Univ.; Lee Skallerup Bessette, Morehead State Univ.
Responding: Tara McPherson, Univ. of Southern California
This roundtable addresses how applications and interfaces encode specific cultural assumptions about race and preclude certain groups of people from participating in the digital humanities. Participants present specific digital humanities projects that illustrate the impact of race on access to the programming, cultural, and funding structures in the digital humanities.
Saturday, 5 January, 3:30–4:45 p.m., The Fens, Sheraton
Presiding: Korey Jackson, Univ. of Michigan, Ann Arbor
Speakers: Matt Burton, Univ. of Michigan, Ann Arbor; Korey Jackson; Spencer Keralis, Univ. of North Texas; Jason C. Rhody, National Endowment for the Humanities; Lisa Marie Rhody, Univ. of Maryland, College Park; Michael Ullyot, Univ. of Calgary
This roundtable seeks to query precisely what data can be and do in a humanities context. Charting the migration from individual project to scalable data set, we explore “big data” not simply as a matter of size or number but as a process of granting researchers and educators access to shared information resources.
Saturday, 5 January, 5:15–6:30 p.m., Gardner, Sheraton
Presiding: Jessica Pressman, American Council of Learned Socs.
- "Phonographic Reading Machines," Matthew Rubery, Univ. of London, Queen Mary Coll.
- "Mechanical Mediations of Miniature Text: Reading Microform," Katherine Wilson, Adelphi Univ.
- "Between Human and Machine, a Printed Sheet: The Early History of OCR (Optical Character Recognition)," Mara Mills, New York Univ.
Saturday, 5 January, 5:15–6:30 p.m., Commonwealth, Sheraton
Presiding: Catherine Elizabeth Ingrassia, Virginia Commonwealth Univ.
Speakers: Joshua Eckhardt, Virginia Commonwealth Univ.; Molly Hardy, Saint Bonaventure Univ.; Laura C. Mandell, Texas A&M Univ., College Station; James Raven, Univ. of Essex
Consistent with the theme of open access, this roundtable explores limitations of proprietary digital archives and emergent alternatives. It will provide an interactive, engaged demonstration of 18thConnect; a historian’s perspective; discussion of British Virginia; and scholarly digital editions of seventeenth-century documents.
Saturday, 5 January, 5:15–6:30 p.m., Back Bay B, Sheraton
Presiding: Gabrielle Dean, Johns Hopkins Univ., MD
Speakers: Amanda L. French, George Mason Univ.; George Williams, Univ. of South Carolina, Spartanburg
This "master class" will focus on integrating two digital tools into the classroom to facilitate student-generated projects: Omeka, for the creation of archives and exhibits, and WordPress, for the creation of blogs and Web sites. We will discuss what kinds of assignments work with each tool, how to get started, and how to evaluate assignments. Bring a laptop (not a tablet) for hands-on work.
Sunday, 6 January, 8:30–9:45 a.m., Beacon A, Sheraton
Presiding: Alexander Reid, Univ. at Buffalo, State Univ. of New York
Speakers: Heather Duncan, Univ. at Buffalo, State Univ. of New York; Matthew K. Gold, New York City Coll. of Tech., City Univ. of New York; Eileen Joy, Southern Illinois Univ., Edwardsville; Richard E. Miller, Rutgers Univ., New Brunswick; Daniel Schweitzer, Univ. at Buffalo, State Univ. of New York
Responding: Alexander Reid
As our profession seeks to understand electronic publishing, the emergence of middle-state publishing (e.g., blogs, Twitter) adds another layer of complexity to the issue. The roundtable participants will discuss their use of social media for scholarship and how middle-state publishing alters scholarly work and the ethical and professional concerns that arise.
Sunday, 6 January, 8:30–9:45 a.m., 203, Hynes
Presiding: Yohei Igarashi, Colgate Univ.; Lauren A. Neefe, Stony Brook Univ., State Univ. of New York
Speakers: Miranda Jane Burgess, Univ. of British Columbia; Mary Helen Dupree, Georgetown Univ.; Kevis Goodman, Univ. of California, Berkeley; Yohei Igarashi; Celeste G. Langan, Univ. of California, Berkeley; Maureen Noelle McLane, New York Univ.; Tom Mole, McGill Univ.
A roundtable of scholars discusses and defines “Romantic media studies,” one of the most vibrant approaches to Romantic literature today. Spanning British, German, and transatlantic Romanticisms, the exchange considers Romantic-era media while reflecting on methods of reading for media, mediations, and networks as well as on the relation between Romantic criticism and the digital humanities.
Sunday, 6 January, 8:30–9:45 a.m., Liberty A, Sheraton
Presiding: Victoria E. Szabo, Duke Univ.
- "What Text Mining and Visualizations Have to Do with Feminist Scholarly Inquiries," Tanya E. Clement, Univ. of Texas, Austin
- "Building the Infrastructural Layer: Reading Data Visualization in the Digital Humanities," Dana Solomon, Univ. of California, Santa Barbara
- "What Should We Do with Our Games?" Stephanie Boluk, Vassar Coll.
Responding: Victoria E. Szabo
Sunday, 6 January, 10:15–11:30 a.m., 209, Hynes
Presiding: Rahul Gairola, Univ. of Washington, Seattle
- "Creating Alternate Voices: Exploring South Asian Cyberfeminism," Suchismita Banerjee, Univ. of Wisconsin, Milwaukee
- "Digitizing Pakistani Literary Forms; or, E/Merging the Transcultural," Waseem Anwar, Forman Christian Coll.
- "Reimagining Aesthetic Education: Digital Humanities in the Global South," Rashmi Bhatnagar, Univ. of Pittsburgh
Responding: Amritjit Singh, Ohio Univ., Athens
Sunday, 6 January, 10:15–11:30 a.m., Jefferson, Sheraton
Presiding: John Carlos Rowe, Univ. of Southern California
- "Henry James, Propagandist," Harilaos Stecopoulos, Univ. of Iowa
- "The Art of Associating: Henry James, Network Theorist," Brad Evans, Rutgers Univ., New Brunswick
- "What Would Strether Tweet? James’s Late Style as a New Media Ecology in The Ambassadors," Shawna Ross, Penn State Univ., University Park
- "Henry James and New Media," Ashley Barnes, Univ. of California, Berkeley
Sunday, 6 January, 12:00 noon–1:15 p.m., Hampton, Sheraton
Presiding: Paul Fyfe, Florida State Univ.
Speakers: Katherine E. Gossett, Iowa State Univ.; Erik Hanson, Loyola Univ., Chicago; Matthew Jockers, Univ. of Nebraska, Lincoln; Steven E. Jones, Loyola Univ., Chicago; Bethany Nowviskie, Univ. of Virginia; Sarah Storti, Univ. of Virginia
This roundtable explores the urgent necessity of reforming graduate training in the humanities, particularly in the light of the opportunities afforded by digital platforms, collaborative work, and an expanded mission for graduates. Presenters include graduate students and faculty mentors who are creating the institutional and disciplinary conditions for renovated graduate curricula to succeed.
Sunday, 6 January, 12:00 noon–1:15 p.m., Public Garden, Sheraton
Presiding: Maura Carey Ives, Texas A&M Univ., College Station
- "Analyzing Large Bibliographical Data Sets: A Case Study," David Lee Gants, Florida State Univ.
- "Descriptive Bibliography’s ‘Ideal Copy’ and the Encoding of a Born-Digital Scholarly Edition," Wesley Raabe, Kent State Univ., Kent
- "From the Archive to the Browser: Best Practices and Google Books," Sydney Bufkin, Univ. of Texas, Austin
Sunday, 6 January, 1:45–3:00 p.m., Public Garden, Sheraton
Presiding: Elizabeth Swanstrom, Florida Atlantic Univ.
- "Decoding the Desert: Reading the Landscape through the Transborder Immigrant Tool," Mark C. Marino, Univ. of Southern California
- "Thoreau in Process: Reanimating Thoreau’s Environmental Practice in Digital Space," Kristen Case, Univ. of Maine, Farmington
- "Networks, Narratives, and Nature: Teaching Globally, Thinking Nodally," Melanie J. Doherty, Wesleyan Coll.
Sunday, 6 January, 1:45–3:00 p.m., Liberty A, Sheraton
Presiding: Mark Sample, George Mason Univ.
Speakers: Douglas M. Armato, Univ. of Minnesota Press; Kathleen Fitzpatrick, MLA; Frank Kelleter, Univ. of Göttingen; Kirstyn Leuner, Univ. of Colorado, Boulder; Jason Mittell, Middlebury Coll.; Ted Underwood, Univ. of Illinois, Urbana
This roundtable considers the value and challenges of serial scholarship, that is, research published in serialized form online through a blog, forum, or other public venue. Each of the participants will give a lightning talk about his or her stance toward serial scholarship, while the bulk of the session time will be reserved for open discussion.
Sunday, 6 January, 1:45–3:00 p.m., Back Bay B, Sheraton
Presiding: Sandra K. Baringer, Univ. of California, Riverside
- "A Description of a Situation on the Nontenure Track: Teaching from the Insecure Trenches of a Contingent Online Instructor," Batya Susan Weinbaum, Empire State Coll., State Univ. of New York
- "Hybrid Composition Instruction," Joshua P. Fenton, Univ. of California, Riverside
- "Contract and Policy Language for Adjuncts Teaching Online in the SUNY Community Colleges: A State of the State Report," Cynthia Eaton, Suffolk Community Coll., State Univ. of New York
- "A Strategem for Using Online Courses to Deny Contingent Faculty Members Academic Freedom," Aaron Plasek, Colorado State Univ.
Responding: Maria Shine Stewart, John Carroll Univ.
Sunday, 6 January, 1:45–3:00 p.m., Fairfax A, Sheraton
Presiding: Anaïs Saint-Jude, Stanford Univ.
- "Teaching Modernism Traditionally and Digitally: What We May Learn from New Digital Tutoring Models by Khan Academy and Udacity," Petra Dierkes-Thrun, Stanford Univ.
- "Digital Resources and the Medieval-Literature Classroom," Robin Wharton, Georgia Inst. of Tech.
- "Toward a New Hybrid Pedagogy: Embodiment and Learning in the Classroom 2.0," Pete Rorabaugh, Georgia State Univ.; Jesse Stommel, Marylhurst Univ.
(This is the text of my five minute position statement on the role of computational literacy in computers and writing. I delivered this statement during a “town hall” meeting at the annual Computers and Writing Conference, hosted at North Carolina State University on May 19, 2012.)
I want to briefly run through five basic statements about computational literacy. These are literally 5 statements in BASIC, a programming language developed at Dartmouth in the 1960s. As some of you might know, BASIC is an acronym for Beginner’s All-Purpose Symbolic Instruction Code, and the language was designed in order to help all undergraduate students at Dartmouth—not just science and engineering students—use the college’s time-sharing computer system.
Each BASIC statement I present here is a fully functioning 1-line program. I want to use each as a kind of thesis—or a provocation of a thesis—about the role of computational literacy in computers and writing, and in the humanities more generally.
10 PRINT 2+3
I’m beginning with this statement because it’s a highly legible program that nonetheless highlights the mathematical, procedural nature of code. But this program is also a piece of history: it’s the first line of code in the user manual of the first commercially available version of BASIC, developed for the first commercially available home computer, the Altair 8800. The year was 1975 and this BASIC was developed by a young Bill Gates and Paul Allen. And of course, their BASIC would go on to be the foundation of Microsoft. It’s worth noting that although Microsoft BASIC was the official BASIC of the Altair 8800 (and many home computers to follow), an alternative version, called Tiny BASIC, was developed by a group of programmers in San Francisco. The 1976 release of Tiny BASIC included a “copyleft” software license, a kind of predecessor to contemporary open source software licenses. Copyleft emphasized sharing, an idea at the heart of the original Dartmouth BASIC.
10 PRINT “HELLO WORLD”
If BASIC itself was a program that invited collaboration, then this—customarily one of the first programs a beginner learns to write—highlights the way software looks outward. Hello, world. Computer code is writing in public, a social text. Or, what Jerry McGann calls a “social private text.” As McGann explains, “Texts are produced and reproduced under specific social and institutional conditions, and hence…every text, including those that may appear to be purely private, is a social text.”1
10 PRINT “GO TO STATEMENT CONSIDERED HARMFUL”: GOTO 10
My next program is a bit of an insider’s joke. It’s a reference to a famous 1968 diatribe by Edsger Dijkstra called “Go To Statement Considered Harmful.” Dijkstra argues against using the goto command, which leads to what critics call spaghetti code. I’m not interested in that specific debate, so much as I like how this famous injunction implies an evaluative audience, a set of norms, and even an aesthetic priority. Programming is a set of practices, with its own history and tensions. Any serious consideration of code—any serious consideration of computers—in the humanities must reckon with these social elements of code.
10 REM PRINT “GOODBYE CRUEL WORLD”
The late German media theorist Frederich Kittler has argued that, as Alexander Galloway put it, “code is the only language that does what it says.”2 Yes, code does what it says. But it also says things it does not do. Like this one-line program which begins with REM, short for remark, meaning this is a comment left by a programmer, which the computer will not execute. Comments in code exemplify what Mark Marino has called the “extra-functional significance” of code, meaning-making that goes beyond the purely utilitarian commands in the code.3
Without a doubt, there is much even non-programmers can learn not by studying what code does, but by studying what it says, and what it evokes.
10 PRINT CHR$(205.5+RND(1));:GOTO 10
Finally, here’s a program that highlights exactly how illegible code can be. Very few people could look at this program for the Commodore 64 and figure out what it does. This example suggests there’s a limit to the usefulness of the concept of literacy when talking about code. And yet, when we run the program, it’s revealed to be quite simple, though endlessly changing, as it creates a random maze across the screen.
So I’ll end with a caution about relying on the word literacy. It’s a word I’m deeply troubled by, loaded with historical and social baggage and it’s often misused as a gatekeeping concept, an either/or state; one is either literate or illiterate.
In my own teaching and research I’ve replaced my use of literacy with the idea of competency. I’m influenced here by the way teachers of a foreign language want their students to use language when they study abroad. They don’t use terms like literacy or fluency, they talk about competency. Because the thing with competency is, it’s highly contextualized, situated, and fluid. Competency means knowing the things that are required in order to do the other things you need to do. It’s not the same for everyone, and it varies by place, time, and circumstance.
Translating this experience to computers and writing, competency means reckoning with computation at the level appropriate for what you want to get out of it—or put into it.
- McGann, Jerome. The Textual Condition. Princeton, NJ: Princeton University Press, 1991, p. 21. ↩
- Galloway, Alexander R. Gaming: Essays on Algorithmic Culture. Minneapolis: University of Minnesota Press, 2006, p. 6 ↩
- Marino, Mark C. “Critical Code Studies.” Electronic Book Review (2006). <http://www.electronicbookreview.com/thread/electropoetics/codology>. ↩
Later this week I’ll be heading to Boston for the annual conference of the Society for Cinema and Media Studies. I’m delighted to be presenting on a panel organized by my frequent conspirator Zach Whalen on code studies and videogames. I’m also delighted that there will be an abundance of other panels devoted to videogames.
For my ease—and hopefully others’—I’ve compiled a list of all of these panels. If I’m missing a videogame-oriented panel, let me know in the comments, and I’ll add it right away.[heading style="1"]Videogame Studies Panels at SCMS 2012[/heading]
Wednesday, March 21, 2012 10:00AM-11:45PM (Session A)
A7: Harder Than You Think: The Difficulty and Digital Games Panel
Chair: Felan Parker (York University)
- Felan Parker (York University), “No One Shall Live: The Idea of Difficulty in Digital Games”
- Bobby Schweizer (Georgia Institute of Technology), “Easy, Normal, Hard: Superficial Difficulty Settings in Videogames”
- Nicholas Taylor (York University), “‘Technical Difficulties’: Expert MMOG Play as Assemblage”
- Mariam Asad (Georgia Institute of Technology), “Proceduralizing Difficulty: Reflexive Play Practices in Masocore Games”
Wednesday, March 21, 2012 12:ooPM-1:45PM (Session B)
B5: “Reality,” Simulacras, and New Media
Chair: Courtney Baker (Connecticut College)
- Jacob Hustedt (University of Texas, Austin), “‘A Dance of Signs’: Reflections on Public Executions, New Media, and the Death of Osama bin Laden”
- Colleen Montgomery (University of Texas, Austin), “Cartoon Wasteland: The Aesthetics and Economics of Digitextuality in Disney’s Epic Mickey”
- Brent Fujioka (Brown University), “Snake Is Hiding: Cultural Hybridity, Pacifism, and Subversion In Hideo Kojima’s Metal Gear Solid Series”
- Courtney Baker (Connecticut College), “Imprisoned Viewers: Prison Valley and the Simulacrum of Interaction”
Wednesday, March 21, 2012 2:00PM-3:45PM (Session C)
C8: A Million Screens a Medium Make? Thinking through Machinima and Filmmaking in Virtual Worlds
Chair: Jenna Ng (University of Cambridge)
- Henry Lowood (Stanford University), “Machinima: A Documentary Medium?”
- Sarah Higley (University of Rochester), “Inside and Outside: Machinima, Looking, and the Non-Diegetic Camera”
- Peter Krapp (University of California, Irvine), “Economedia: Machinima and the Claims of Convergence”
- Jenna Ng (University of Cambridge), “Three Spars of the Virtual Camera Trestle: Image, Mobility, Avatar”
Wednesday, March 21, 2012 04:00PM-05:45PM (Session D)
D16: Save to Continue: The State of Video Game Archiving and Preservation
Room: St. James
Chair: Matthew Payne (University of Alabama)
- Henry Lowood (Stanford University)
- Ken McAllister (University of Arizona)
- David O’Grady (University of California, Los Angeles)
- Judd Ruggill (Arizona State University)
- Megan Winget (University of Texas, Austin)
Thursday, March 22, 2012 11:00AM-12:45PM (Session F)
F16: Workshop on Cooperative Play, Multiplayer R&D: Encouraging Effective Collaboration in Games Research and Development
Chair: Nina Huntemann (Suffolk University)
- Mia Consalvo (Concordia University)
- Darius Kazemi (bocoup)
- Eric Gordon (Emerson College)
- Bill Shribman (WGBH)
- Sara Verrilli (MIT GAMBIT Game Lab)
Sponsor: Video Game Studies Scholarly Interest Group
Thursday, March 22, 2012 01:00PM-02:45PM (Session G)
G6: Gendering Fandoms: Exploring the Centrality of Gender and Sexuality to Fannish Practice
Chair: Darlene Hampton (University of Oregon)
- Jing Zhao (University of Wisconsin, Milwaukee), “Popular Cultural Capital Matters: A Comparative Study of ‘Queered’
- Chinese Online Fandom”
- Anne Gilbert (Rutgers University), “When Twilight Comes to Comic-Con: Gender Divisions in Popular Fandom”
- John Vanderhoef (University of California, Santa Barbara), “Canon Fodder: Taste, Gender, and Video Game Culture”
- Darlene Hampton (University of Oregon), “Pure Communities: The Radicalizing Potential of Intimacy in Fan Communities”
Thursday, March 22, 2012 03:00PM-04:45PM (Session H)
H7: Playing With Feelings 1: Video Games and Affect
Chair: Aubrey Anable (University of Toronto)
- Seth Mulliken (North Carolina State University, Raleigh), “The Order of Hardness: Rhythm-Based Games and Sonic Affect”
- Laura Cook Kenna (George Washington University), “Feeling Empathetic? . . . Ironic? . . . Postracial?: Grand Theft Auto’s Offers of Affective Engagement with Ethnic and Racial Difference”
- Allyson Shaffer (University of Minnesota, Twin Cities), “Playing Life, Managing Play”
- Aubrey Anable (University of Toronto), “Casual Games, Serious Play, and the Affective Economy”
Thursday, March 22, 2012 05:00PM-06:45PM (Session I)
I11: Playing With Feelings 2: Medium, Immersion, and Affect
Chair: Daniel Reynolds (University of California, Santa Barbara)
Respondent: Mark J. P. Wolf (Concordia University, Wisconsin)
- Daniel Reynolds (University of California, Santa Barbara), “Radical Embodiment and Affective Interactivity”
- Virginia Kuhn (University of Southern California), “One More Time with Feeling: Can Agency and Immersion Co-exist?”
- Chaz Evans (University of Illinois, Chicago), “The Brechtian Video Game (and Other Theatrical Conceptions of Software-based Experience)”
Friday, March 23, 2012 12:15PM-2:00PM (Session K)
Video Game Studies Special Interest Group
Friday, March 23, 2012 02:15PM-04:00PM (Session L)
L11: Code Studies and Videogames
Chair: Zach Whalen (University of Mary Washington)
- Sheila Murphy (University of Michigan), “Parsing Code, Playing Games: A Mediation on Reading Video Games”
- Mark Sample (George Mason University), “A Revisionist History of JFK Reloaded (Decoded)”
- Zach Whalen (University of Mary Washington), “’//create magnetic children’: Game Code as Critical Paratext”
- Christopher Hanson (Syracuse University), “Mapping Levels of Abstraction and Materiality: Structuralist Games?”
Saturday, March 24, 2012 9:00AM (Session M)
M11: Computer Games and Virtual Forms
Chair: Lori Landay, Berklee College of Music
- Brent Strang (Stony Brook University), “Red Dead Remediation: Sandbox Games, Anti-environments and Digital Adolescence”
- Juan F. Belmonte Avila (University of Murcia), “Tactility in Computer Games: Non-Visual Mediations in Digital Discourses”
- Mark J. P. Wolf (Concordia University, Wisconsin), “BattleZone and the Origins of First-Person Shooting Games”
- Lori Landay (Berklee College of Music), “Virtually There: Presence, Agency, Spectatorship, and Performance in Interactive Media”
Sponsor: Video Game Studies Scholarly Interest Group
Saturday, March 24, 2012 05:00PM-06:45PM (Session Q)
Q11: Video Game Industry Studies
Chair: Sheila Murphy (University of Michigan)
Co-Chair: Julia Lange (University of Michigan)
Respondent: Nina Huntemann (Suffolk University)
- Benjamin Aslinger (Bentley University), “Redefining the Console for the Digital, Global, and Networked Era”
- Kathryn Frank (University of Michigan), “Imagining the Cult Media Audience: Comics and Video Game Industrial ‘Synergy’”
- Julia Lange (University of Michigan), “E3 or Not E3?: The Video Game Industry Online and In-person”
Q21: Beyond Strawmen, Misrepresentations, and Caricatures: Elucidating a Critical Political Economy of Media
Chair: Philip Drake (University of Stirling)
Respondent: Philippe Meers (University of Antwerp)
- Eileen Meehan (Southern Illinois University, Carbondale), “The Misrepresentation of Critical Political Economy of Media”
- Randall Nichols (Bentley University), “Manufacturing the Xbox: The Other Video Game Labor Problem”
- Andre Sirois (University of Oregon), “Advertising and Avatars: Investing in Subcultural Capital and Selling Authenticity in the Case of DJ Hero”
Sunday, March 25, 2012 11:00AM-12:45PM (Session S)
S7: Video Games
Chair: Robert Buerkle (University of Pittsburgh)
- Reem Hilu (Northwestern University), “A Pioneering Game: “The Oregon Trail” and History Simulation”
- Frank Episale (City University of New York), “Roger Ebert vs. Jacques Rancière: Video Games, Art, and the Emancipated Spectator”
- Robert Buerkle (University of Pittsburgh), “At a Loss for Words: Portal 2 and the Silent Avatar”
[Downhill photograph courtesy of Flickr user krelle / Creative Commons Licensed]