{"id":104,"date":"2005-10-20T01:30:34","date_gmt":"2005-10-20T05:30:34","guid":{"rendered":"http:\/\/www.samplereality.com\/gmu\/fall2005\/343\/2005\/10\/20\/afternoon-a-story-3\/"},"modified":"2005-10-20T01:34:56","modified_gmt":"2005-10-20T05:34:56","slug":"afternoon-a-story-3","status":"publish","type":"post","link":"https:\/\/www.samplereality.com\/gmu\/fall2005\/343\/2005\/10\/20\/afternoon-a-story-3\/","title":{"rendered":"Afternoon, a story"},"content":{"rendered":"<p><em>Afternoon<\/em>, a story is not as obvious as<em> Hegirascope<\/em> that it is a hypertext fiction.&nbsp; <em>Afternoon<\/em> does not seem to present as diverse a possibility of tangent paths from readers to readers.&nbsp; I wonder how many different variations that <em>Afternoon<\/em> offers.&nbsp; There is one line that stuck in my mind as I explore the story, it is found on the lexia titled &quot;Hop Scotch&quot;, it states, &quot;In its own way, this book consists of many books, but wo books above all.&quot;&nbsp; Then the the paragraph goes to describe how this book of many books, consists of two books depending on the way that the reader reads it.&nbsp; The different method determines the book, one reader can go almost a linear path without clicking on the possible links, whereas another readers can skip around like in hop scotch but still remain somewhat of a linear progression through the story. I am wondering if we all read <em>Afternoon<\/em> long enough, we will all come out with the same information and understanding of the plot and characters?&nbsp;&nbsp; Is it just one great narrative with the same information but presented to the readers at different orders depending on what paths the reader choices.&nbsp; The idea of the order of information reminds me of the main character, well at least the main characters for me in my experience of <em>Afternoon<\/em>, his ex-wife name is Lisa and his son is Andy.&nbsp; There is a episode when the main character reflects upon his marriage, in one sense, on the literal level, he is addressing his marital failures between him and his ex-wife, on the other hand, metaphorically, this can address how some readers like certain control over what information is given to them and in a specific order.&nbsp; <\/p>\n<p>&nbsp;I am really curious to know what other experience and narrative of<em> Afternoon<\/em> is like, because I am wondering if this hypertext is more linear, or if it has more diverse paths imbedded in the stories than I thought. My version of <em>Afternoon<\/em> so far center around the male narrator with the ex-wife that was never named.&nbsp; Then I discovered more about Lolly, Nariscaa, Lisa and Wert&#8217;s different past and their lives.&nbsp; A correlation that I found consist in <em>Afternoon<\/em> that also exist in Calvino&#8217;s novel is the unidentify shift in narrations.&nbsp;&nbsp; The readers found out from whose&nbsp; perspective the passages are coming from through the hints of that persons situation and characteristic to find out who is speaking.&nbsp; In Calvino&#8217;s novel, the point of view is in second person throughout the main narrative, and then it shifts to different first person narration in the incipits.&nbsp; <em>Afternoon<\/em> the passages are usually written in the first person but coming from different person at different time.&nbsp;  <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Afternoon, a story is not as obvious as Hegirascope that it is a hypertext fiction.&nbsp; Afternoon does not seem to present as diverse a possibility of tangent paths from readers to readers.&nbsp; I wonder how many different variations that Afternoon offers.&nbsp; There is one line that stuck in my mind as I explore the story, &hellip; <a href=\"https:\/\/www.samplereality.com\/gmu\/fall2005\/343\/2005\/10\/20\/afternoon-a-story-3\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Afternoon, a story<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-104","post","type-post","status-publish","format-standard","hentry","category-reflections"],"_links":{"self":[{"href":"https:\/\/www.samplereality.com\/gmu\/fall2005\/343\/wp-json\/wp\/v2\/posts\/104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.samplereality.com\/gmu\/fall2005\/343\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.samplereality.com\/gmu\/fall2005\/343\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.samplereality.com\/gmu\/fall2005\/343\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.samplereality.com\/gmu\/fall2005\/343\/wp-json\/wp\/v2\/comments?post=104"}],"version-history":[{"count":0,"href":"https:\/\/www.samplereality.com\/gmu\/fall2005\/343\/wp-json\/wp\/v2\/posts\/104\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.samplereality.com\/gmu\/fall2005\/343\/wp-json\/wp\/v2\/media?parent=104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.samplereality.com\/gmu\/fall2005\/343\/wp-json\/wp\/v2\/categories?post=104"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.samplereality.com\/gmu\/fall2005\/343\/wp-json\/wp\/v2\/tags?post=104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}