{"id":15,"date":"2005-09-06T00:05:17","date_gmt":"2005-09-06T04:05:17","guid":{"rendered":"http:\/\/www.samplereality.com\/gmu\/fall2005\/343\/2005\/09\/06\/initial-pondering-of-calvinos-if-on-a-winters-night-a-traveler\/"},"modified":"2005-09-06T00:05:17","modified_gmt":"2005-09-06T04:05:17","slug":"initial-pondering-of-calvinos-if-on-a-winters-night-a-traveler","status":"publish","type":"post","link":"https:\/\/www.samplereality.com\/gmu\/fall2005\/343\/2005\/09\/06\/initial-pondering-of-calvinos-if-on-a-winters-night-a-traveler\/","title":{"rendered":"Initial pondering of Calvino&#8217;s If on a winter&#8217;s  night a traveler"},"content":{"rendered":"<p>In Calvino&#8217;s novel <em>If on a winter&#8217;s night a traveler<\/em> I realized that when the author refer to &#8220;you&#8221; &#8220;the reader&#8221;, it is not just me who is reading the author is refering to in the passages.  The &#8220;you&#8221; is actually a construction of another character that is part of the novel itself.  I realized in chapter 2 that &#8220;you&#8221; is actually a man, and I am definitely not a man. Unfortunately, that is the limitation of writing in a second person point of view.  Another reason I felt the you that the author addresses is not simply a general &#8220;you&#8221; as public audience reader is because the you have a specific personality and interest that the author ascribe to the you through discriptions of how &#8220;you&#8221; would react to certain situation. Nonetheless, the author direct involvement in dissecting the reading experience by explicitly stating what the readers should feel, react or pay attention to, I can very much identify with the &#8220;you&#8221; character.  At some point it is difficult to differentiate the &#8220;you&#8221; (the male character or me) that the author is addressing.  It is almost like a double layer you.  When there are things that does not apply to me directly when the author refers to you, I would attribute the characteristic to the fictional &#8220;you&#8221;, as another character in the book.  When there are statements that the author made to &#8220;you&#8221; that can be apply universally, many times I take it as if the author is addressing the real reader, which is me.  For example, when the author states things such as, &#8220;If you, Reader, were already prepared, each time that character is introduced again&#8230;&#8221; or &#8220;Each sentence, in short, wants to convey to you&#8230;&#8221;(36-7) those broad statements directs the reader attention to what the author intend to do or how the reader should think about the conversation, I think those statement addresses the actual reader reading the book.  <\/p>\n<p>That is one convuluted paragraph above.  I am even getting myself confuse in what I originally intended to say.  On a different note, I find this sentence in the novel very applicable to my reading experience, &#8220;Whatever it may be, this is a novel where, once you have got into it, you want to go forward, without stopping.&#8221;  (76)   I realized as I make my way through this novel, as choppy each separate sections in the novel is or confusing it may be at some parts, once I started I just got to forge right through the novel, there is no stopping even though there is a different story after each chapter.  <\/p>\n","protected":false},"excerpt":{"rendered":"<p>In Calvino&#8217;s novel If on a winter&#8217;s night a traveler I realized that when the author refer to &#8220;you&#8221; &#8220;the reader&#8221;, it is not just me who is reading the author is refering to in the passages. The &#8220;you&#8221; is actually a construction of another character that is part of the novel itself. I realized &hellip; <a href=\"https:\/\/www.samplereality.com\/gmu\/fall2005\/343\/2005\/09\/06\/initial-pondering-of-calvinos-if-on-a-winters-night-a-traveler\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Initial pondering of Calvino&#8217;s If on a winter&#8217;s  night a traveler<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-15","post","type-post","status-publish","format-standard","hentry","category-reflections"],"_links":{"self":[{"href":"https:\/\/www.samplereality.com\/gmu\/fall2005\/343\/wp-json\/wp\/v2\/posts\/15","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.samplereality.com\/gmu\/fall2005\/343\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.samplereality.com\/gmu\/fall2005\/343\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.samplereality.com\/gmu\/fall2005\/343\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.samplereality.com\/gmu\/fall2005\/343\/wp-json\/wp\/v2\/comments?post=15"}],"version-history":[{"count":0,"href":"https:\/\/www.samplereality.com\/gmu\/fall2005\/343\/wp-json\/wp\/v2\/posts\/15\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.samplereality.com\/gmu\/fall2005\/343\/wp-json\/wp\/v2\/media?parent=15"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.samplereality.com\/gmu\/fall2005\/343\/wp-json\/wp\/v2\/categories?post=15"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.samplereality.com\/gmu\/fall2005\/343\/wp-json\/wp\/v2\/tags?post=15"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}