{"id":206,"date":"2005-12-04T12:49:01","date_gmt":"2005-12-04T17:49:01","guid":{"rendered":"http:\/\/www.samplereality.com\/gmu\/fall2005\/660\/2005\/12\/04\/where-were-you-when\/"},"modified":"2005-12-04T13:12:36","modified_gmt":"2005-12-04T18:12:36","slug":"where-were-you-when","status":"publish","type":"post","link":"https:\/\/www.samplereality.com\/gmu\/fall2005\/660\/2005\/12\/04\/where-were-you-when\/","title":{"rendered":"Where were you when&#8230;?"},"content":{"rendered":"<p>I&rsquo;m interested in the question of ownership in relation to 9\/11.&nbsp; My first response to <u>In the Shadow of No Towers<\/u> was a negative reaction to the extreme self-centeredness of the narrative.&nbsp; There&rsquo;s something immediately off-putting about not just &ldquo;I live on the outskirts of Ground Zero and first saw it all live &ndash; unmediated&rdquo; (1), but the dramatized third-person delivery of &ldquo;He remembers that morning yet again&rdquo; (4).&nbsp; It&rsquo;s as if, through his narcissistic dramatization, Spiegelman seeks to own 9\/11 for himself.&nbsp; He pokes fun at his own narcissism (2), but there it is nonetheless; whether or not Art Spiegelman has a beard is suddenly a crucial fact when considering 9\/11.&nbsp; In a sense, this is just a better &ldquo;where were you when&hellip;?&rdquo; type of story &ndash; better because he was a closer observer than us.&nbsp; But the &ldquo;where were you when&hellip;?&rdquo; phenomena itself is perhaps more interesting than Spiegelman&rsquo;s recounting of his day and his later political disgust.&nbsp; The readings from <em>South Atlantic Quarterly<\/em> were especially useful in examining this phenomena.&nbsp; Slavoj \u017di\u017eek hits on selfishness when he talks about Philip K. Dick&rsquo;s <u>Time Out of Joint<\/u>; the world as you know it is a sham put on for your benefit.&nbsp; We each live in an individual bubble of illusion.&nbsp; But \u017di\u017eek points out that the nation is a collection of bubbles and is only protected by the continued suffering of the third world.&nbsp; Fredric Jameson makes an elegant move to the collective when he discusses as a &ldquo;collective delirium&rdquo; the public&rsquo;s ability to be &ldquo;devastated by catastrophe in which they have lost no one they know&rdquo; (298).&nbsp; Jameson suggests that Americans are held together not just by collective mourning, but that this mourning is circulated and enforced by the media and ultimately forged into a therapy called war (299).&nbsp; Susan Willis then tracks this therapy back to the individual in the form of an attachment to the American flag as a signifier of protection: &ldquo;Americans show with our car-mounted flags that we know the &lsquo;war on terrorism&rsquo; is the code phrase for the preservation of our interstates, cars, suburbs, and the petrochemical octopus that feeds and clothes us&rdquo; (380).&nbsp; In terms of \u017di\u017eek&rsquo;s essay, the flag acts to keep us plugged into the matrix rather than exposed to the &lsquo;desert of the real.&rsquo;&nbsp; So, in one sense, Spiegelman&rsquo;s book works as a plaintive cry that his emotion cannot be his own.&nbsp; His own fear and pity are caught up in the ongoing significations of ideology that mark them with the inevitable falsity of political spectacle.&nbsp; But I&rsquo;m not entirely convinced.&nbsp; The &ldquo;where were you when&hellip;?&rdquo; phenomena exemplifies the selfishness of American culture by privileging our own experiences and anxieties above those who happened to be in the towers.&nbsp; (I suppose I can&rsquo;t have it both ways, but I&rsquo;ll leave the post as is).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&rsquo;m interested in the question of ownership in relation to 9\/11.&nbsp; My first response to In the Shadow of No Towers was a negative reaction to the extreme self-centeredness of the narrative.&nbsp; There&rsquo;s something immediately off-putting about not just &ldquo;I live on the outskirts of Ground Zero and first saw it all live &ndash; unmediated&rdquo; &hellip; <a href=\"https:\/\/www.samplereality.com\/gmu\/fall2005\/660\/2005\/12\/04\/where-were-you-when\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Where were you when&#8230;?<\/span><\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-206","post","type-post","status-publish","format-standard","hentry","category-reflections"],"_links":{"self":[{"href":"https:\/\/www.samplereality.com\/gmu\/fall2005\/660\/wp-json\/wp\/v2\/posts\/206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.samplereality.com\/gmu\/fall2005\/660\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.samplereality.com\/gmu\/fall2005\/660\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.samplereality.com\/gmu\/fall2005\/660\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.samplereality.com\/gmu\/fall2005\/660\/wp-json\/wp\/v2\/comments?post=206"}],"version-history":[{"count":0,"href":"https:\/\/www.samplereality.com\/gmu\/fall2005\/660\/wp-json\/wp\/v2\/posts\/206\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.samplereality.com\/gmu\/fall2005\/660\/wp-json\/wp\/v2\/media?parent=206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.samplereality.com\/gmu\/fall2005\/660\/wp-json\/wp\/v2\/categories?post=206"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.samplereality.com\/gmu\/fall2005\/660\/wp-json\/wp\/v2\/tags?post=206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}