{"id":176,"date":"2008-09-20T23:22:10","date_gmt":"2008-09-21T03:22:10","guid":{"rendered":"http:\/\/www.samplereality.com\/gmu\/fall2008\/414\/?p=176"},"modified":"2008-09-20T23:22:10","modified_gmt":"2008-09-21T03:22:10","slug":"a-slave-to-the-big-picture","status":"publish","type":"post","link":"https:\/\/www.samplereality.com\/gmu\/fall2008\/414\/archives\/176","title":{"rendered":"A slave to the big picture"},"content":{"rendered":"<p>At some point the idea needs to sink in that this project, this inquiry 2, does not warrant a visual representation of the preplexity of the novel (which my Esheresque attempts seem to presume) but instead a compilation of some data, something quantifiable.\u00a0 Whereas I seem focused on how these narratives and perspectives intertwine and compliment each other, the first part of any map-making project is a steady, informed delineation and demarkation.\u00a0 This novel that is swirling in my head, a multivarious morass to be sure, is currently defying such attempts.\u00a0 My problem is that, apparantly like Danielewski in his ironic way&#8211;but I could be way off&#8211;scholarly interpretation and single-minded focus on certain themes or individual characters seems to risk some deadening of the narrative thrust of the work.\u00a0 (Imagine how much smoother a reading of <em>House of Leaves<\/em> would be without constantly checking the bottom of the page and rummaging through esoteric, recondite, and sometimes, or most of the time, imaginary sources; but then such a loss would lessen one of Danielewski&#8217;s greatest sources of humor; but can that be said to be the point of the actual scholars?).\u00a0 Empathizing with the freneticism that spawned that last aside might help you understand my problem.\u00a0 Ahhh, but I digress&#8230;<\/p>\n<p>If Danielewski can allow for the varying discourses of architecture, aural mathematics, labyrinthine construction, perhaps my long atrophied left-side-of-da-brain might just be able to commit the most heinous act of deconstructing this monster into some cohesive categories.\u00a0 Just today as I was going over so many aborted three-dimensional drawings of staircases and hallways, I realized that perhaps the dreadfully common bar graph might lend itself to the shape of those staircases.\u00a0 Throw in another line graph (I&#8217;m still sticking with my laminated layer approach) and we&#8217;ll have ourselves an entirely different picture, won&#8217;t we?\u00a0 Maybe as perplex as I find the novel itself to be, though I wouldn&#8217;t trust anything I think up to actually make it from mind to paper intact or in the shadow of the former really.\u00a0 The question remains, however: how do I entrap the relative value of Truant&#8217;s narrative or story or trajectory to something so simple as a bar or something so terse as a line.\u00a0 How might I visualize the scope of Navidson&#8217;s camera which, as I see it, is far from being stuck in Zampano&#8217;s head and instead carrying quite a degree of relevancy and dominance over the lives of the other characters.\u00a0 At least Navidson appears somewhat honest and forthcoming&#8211;something everyone else in the novel owes it to themselves to be.\u00a0 But wait, I&#8217;m not here to judge just overanalyze.<\/p>\n<p>But like the footnote to the Seneca&#8217;s quote, in which can be found the quote Pascal telling us, according to the editors, that &#8216;If one reads too quickly or too slowly, one understands nothing.&#8217;\u00a0 I found Danielewski&#8217;s talk about the labyrinthe inspiring.\u00a0 In the midst of floundering ideas and even worse artistic endeavors, I found myself asking myself why, if Danielewski can represent his characters in the history and concepts of the labyrinthe, why can&#8217;t I take those characters and make defined concepts out of them; or, who knows, maybe with my roommates&#8217; help, maybe making a mathematical equation for one or two of the buggers.\u00a0 As I find myself leaping through the novel, barely taking a breath, I must remember that one mustn&#8217;t tire oneself out too quickly, or disparage too soon, when dealing with a maze.\u00a0 I can&#8217;t imagine I&#8217;ll be lucky enough to stand back and see my final project and see even an inkling of my original ideas within that mess.\u00a0 (Such a statement makes me chuckle when reminsicining that Danielewski appropiately notes that only some airborne or celestial diety might view a labryinthe in it&#8217;s whole&#8211;who can imagine that disappointment, really?).\u00a0 Hopefully I will be able to entrench myself so deeply in this project so outside my comfort zone that I might at least glean something from the struggle, and have some numbers or data that are as confusing as this novel prides itself in being.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>At some point the idea needs to sink in that this project, this inquiry 2, does not warrant a visual representation of the preplexity of the novel (which my Esheresque attempts seem to presume) but instead a compilation of some data, something quantifiable.\u00a0 Whereas I seem focused on how these narratives and perspectives intertwine and &hellip; <a href=\"https:\/\/www.samplereality.com\/gmu\/fall2008\/414\/archives\/176\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">A slave to the big picture<\/span><\/a><\/p>\n","protected":false},"author":11,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-176","post","type-post","status-publish","format-standard","hentry","category-week-1"],"_links":{"self":[{"href":"https:\/\/www.samplereality.com\/gmu\/fall2008\/414\/wp-json\/wp\/v2\/posts\/176"}],"collection":[{"href":"https:\/\/www.samplereality.com\/gmu\/fall2008\/414\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.samplereality.com\/gmu\/fall2008\/414\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.samplereality.com\/gmu\/fall2008\/414\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/www.samplereality.com\/gmu\/fall2008\/414\/wp-json\/wp\/v2\/comments?post=176"}],"version-history":[{"count":1,"href":"https:\/\/www.samplereality.com\/gmu\/fall2008\/414\/wp-json\/wp\/v2\/posts\/176\/revisions"}],"predecessor-version":[{"id":179,"href":"https:\/\/www.samplereality.com\/gmu\/fall2008\/414\/wp-json\/wp\/v2\/posts\/176\/revisions\/179"}],"wp:attachment":[{"href":"https:\/\/www.samplereality.com\/gmu\/fall2008\/414\/wp-json\/wp\/v2\/media?parent=176"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.samplereality.com\/gmu\/fall2008\/414\/wp-json\/wp\/v2\/categories?post=176"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.samplereality.com\/gmu\/fall2008\/414\/wp-json\/wp\/v2\/tags?post=176"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}