{"id":68,"date":"2006-04-19T11:51:14","date_gmt":"2006-04-19T16:51:14","guid":{"rendered":"http:\/\/www.samplereality.com\/gmu\/spring2006\/325\/04\/19\/response-4-2\/"},"modified":"2008-02-13T20:59:39","modified_gmt":"2008-02-14T01:59:39","slug":"response-4-2","status":"publish","type":"post","link":"https:\/\/www.samplereality.com\/gmu\/spring2006\/325\/04\/19\/response-4-2\/","title":{"rendered":"Response #4"},"content":{"rendered":"

A. http:\/\/www.flickr.com\/photos\/spike55151\/127692508\/<\/strong><\/p>\n

\u00e2\u20ac\u0153I\u00e2\u20ac\u2122d go out back to hang clothes on the line behind the trailer, and he\u00e2\u20ac\u2122d attach clothespins all over me. He was playful, like a little kid\u00e2\u20ac\u009d (75).<\/p>\n

This is a photograph of clothespins on a clothesline.<\/p>\n

I chose this quote from Burres because it shows Chris McCandless as a fun-loving youth rather than the thought provoked adult that we are used to hearing about in the text. The picture is significant because it only focuses on the clothespins, the detail that Burres remembers most about Chris. Chris\u00e2\u20ac\u2122s attempts at flirting also show that he was in need of human contact, and that he was a typical young man with desires for women. Most of the text portrays Chris as a mature adult who is focused on living alone in the wild to find himself. This memory, on the other hand, gives us another side to Chris, a more youthful and playful side that we do not see much of in the text. This photograph influences the meaning by putting a focus on Chris\u00e2\u20ac\u2122s actions toward Burres, rather than Burres\u00e2\u20ac\u2122 memory of Chris. The clothespins represent Chris\u00e2\u20ac\u2122s need for attention and human contact.<\/p>\n

B. http:\/\/www.flickr.com\/photos\/67371673@N00\/32644649\/<\/strong><\/p>\n

\u00e2\u20ac\u0153He was a big eater. Never left any food on his plate. Never\u00e2\u20ac\u009d (104)<\/p>\n

This is a picture of a starving child in Africa.<\/p>\n

I chose this photo because it is ironic when paired with the above caption. What makes the picture ironic is the fact that Chris McCandless was constantly eating all of the food given to him, and never wasted anything, though he died of starvation. One of Chris\u00e2\u20ac\u2122s goals was to end starvation, though he couldn\u00e2\u20ac\u2122t cure his own. The picture encompasses Chris\u00e2\u20ac\u2122s motivation as well as the beginning of his demise. The caption directs our attention to a healthy boy who had plenty to eat, while the photo directs our attention to the image of Chris\u00e2\u20ac\u2122s emaciated body at death, as well as the image of what Chris wanted to prevent. The picture influences how we read the quote because it no longer shows us a healthy, happy picture of Chris. Rather, it foreshadows what will happen later in Chris\u00e2\u20ac\u2122s life. The picture also leads me to feel that even though Chris cared a lot about never wasting food, that ideal was of no use to him at the end of his life.<\/p>\n

C. http:\/\/www.flickr.com\/photos\/78428166@N00\/127719093\/<\/strong><\/p>\n

\u00e2\u20ac\u0153When Franz met McCandless, his long-dormant paternal impulses were kindled anew\u00e2\u20ac\u009d (84)<\/p>\n

This is a picture of a young man hugging his father.<\/p>\n

I chose this caption because one of the focuses in the book is to Chris and his relationship with his father. I felt that Chris looked to Franz as more of a father than his own, and that is why I chose to include him in this caption. I chose the image for this caption because it is a good fit with how I interpret the relationship between Chris and Franz. Though Chris was against the idea of being adopted by Franz, I feel that he loved the old man and looked up to him as a father figure. The image illustrates the love and compassion between the father and son, which is how I feel Franz and Chris acted toward each other. The photograph influences the caption by showing the son figure, or Chris, as a loving son toward his father, in this case Franz. It helps us get a visual of the dynamic between the two men. The caption and the accompanied photograph direct our attention to the love that was felt between Franz and Chris.<\/p>\n

D. http:\/\/www.flickr.com\/photos\/air_ape\/129527053\/<\/strong><\/p>\n

\u00e2\u20ac\u0153For a long time she gazes silently at her son\u00e2\u20ac\u2122s boots under the stove, his handwriting on the walls, his toothbrush\u00e2\u20ac\u009d (312)<\/p>\n

This is a picture of a toothbrush with the inscription \u00e2\u20ac\u02dcprison toothbrush\u00e2\u20ac\u2122.<\/p>\n

I chose this caption because it gives me insight into the thoughts and emotions of the family members left behind after Chris\u00e2\u20ac\u2122s death. I can imagine myself in the same situation, trying to take in the surroundings, and focusing on the few objects that were used by my late son. The photo of the toothbrush represents a focus that Billie had while in the trailer, though it is ironic because of the inscription on the brush. \u00e2\u20ac\u0153Prison toothbrush\u00e2\u20ac\u009d illustrates a sense of confinement, while Chris was in a state of freedom in his Alaska wilderness. My intent with this caption and photograph was to show the contrast between Chris\u00e2\u20ac\u2122s emotions and that of his mother. Billie was constantly worried about her son, and was trapped in her anxiety over his absence. Chris, on the other hand, was reveling in his freedom of being subsistent off the land and not needing human contact. Also, part of Chris\u00e2\u20ac\u2122s freedom was his ability to abandon material possessions and human contact, though he still needed a toothbrush, which is a norm of society. The inscription \u00e2\u20ac\u0153Prison toothbrush\u00e2\u20ac\u009d is ironic because Chris desperately wants to live a free life, but is confined to certain societal norms.<\/p>\n

Krakauer, John. Into the Wild<\/em>. Large Print Edition. Random House Inc. Maine: 1997.\n<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

A. http:\/\/www.flickr.com\/photos\/spike55151\/127692508\/ \u00e2\u20ac\u0153I\u00e2\u20ac\u2122d go out back to hang clothes on the line behind the trailer, and he\u00e2\u20ac\u2122d attach clothespins all over me. He was playful, like a little kid\u00e2\u20ac\u009d (75). This is a photograph of clothespins on a clothesline. I chose this quote from Burres because it shows Chris McCandless as a fun-loving youth rather … Continue reading Response #4<\/span><\/a><\/p>\n","protected":false},"author":20,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-68","post","type-post","status-publish","format-standard","hentry","category-reflections"],"_links":{"self":[{"href":"https:\/\/www.samplereality.com\/gmu\/spring2006\/325\/wp-json\/wp\/v2\/posts\/68","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.samplereality.com\/gmu\/spring2006\/325\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.samplereality.com\/gmu\/spring2006\/325\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.samplereality.com\/gmu\/spring2006\/325\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/www.samplereality.com\/gmu\/spring2006\/325\/wp-json\/wp\/v2\/comments?post=68"}],"version-history":[{"count":0,"href":"https:\/\/www.samplereality.com\/gmu\/spring2006\/325\/wp-json\/wp\/v2\/posts\/68\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.samplereality.com\/gmu\/spring2006\/325\/wp-json\/wp\/v2\/media?parent=68"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.samplereality.com\/gmu\/spring2006\/325\/wp-json\/wp\/v2\/categories?post=68"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.samplereality.com\/gmu\/spring2006\/325\/wp-json\/wp\/v2\/tags?post=68"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}