{"id":615,"date":"2009-04-14T20:18:26","date_gmt":"2009-04-15T01:18:26","guid":{"rendered":"http:\/\/www.samplereality.com\/gmu\/spring2009\/660\/?p=615"},"modified":"2009-04-14T23:30:34","modified_gmt":"2009-04-15T04:30:34","slug":"the-making-of-a-transnational-hybrid-identity","status":"publish","type":"post","link":"https:\/\/www.samplereality.com\/gmu\/spring2009\/660\/?p=615","title":{"rendered":"Immigration and the Making of a Transnational Hybrid Identity"},"content":{"rendered":"

Even though Yamashita identifies herself as an \u201cAsian-American\u201d writer, her literary work Tropic of Orange <\/em>defies any specific cultural and geographical associations implied in that categorization. More than any other novel this semester, Tropic of Orange <\/em>effectively portrays characters that have a truly transnational cultural identity. In one of the more engaging parts of the novel, Arcangel moves the Tropic of Cancer to the north, over the border between Mexico and the United States. This shifting of national boundaries obviously disturbs our understanding of the various political and cultural borders separating continents and countries, but even more interestingly, it challenges our notions of what constitutes a certain cultural identity. As a result of this \u201cshifting geography\u201d\u2014which in reality just represents the shifting of populations\u2014the identities of the characters have become hybrids of all the different cultures to which they have been exposed.<\/p>\n

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Yamashita is making the point in Tropic of Orange <\/em>that the United States, whose inhabitants embody the transnational hybrid identity more than any other country in the world, does not offer its population (especially its immigrant population) justice when it comes to the social services that are available to them and <\/span>how many political and economic choices they have. In the novel, Yamashita repeatedly brings up the issue of immigration. When Bobby recalls Rafaela\u2019s immigration from Mexico, he considers other immigrants who try to cross the border: \u201cPlaces \u2018long the border everybody knows, every woman don\u2019t get raped, she don\u2019t pass. The price she pays. Next up from the women, it\u2019s the poor Indian types. They don\u2019t know the language, don\u2019t know the ropes. It\u2019s gonna be the border rats robbing them. Cross the river. Make a run for it down Zapata Canyon. Lose their money. Their shoes. The clothing off their bodies. Maybe nobody gonna see these folks again. Bunch come floating up the river. It\u2019s a fourteen mile zone\u2026On the other side the migra arrests 1,000 per night\u2026It\u2019s high technology with a revolving door. If you lucky, Border Patrol chases you down. Puts you in a wagon and dumps you back. But maybe you gonna be one of them gets shot\u201d (201-202). <\/span>When people successfully cross the physical border, they then have to cross other barriers, including melding into the American culture and learning the English language: \u201c \u2018Do you have a green card? Do you have a social security card? Do you have any money? When you get there, you will be unprotected. If you get sick, no one can give you care. If you have children, no one will teach them\u2019\u2026\u2019Is it a crime to be poor? Can it be illegal to be a human being?\u2019 (211).\u201d In \u201cThe Ends of America,\u201d Adams rightfully notes that the issues raised in Tropic of <\/em>Orange<\/em>\u2014<\/em>most notably \u201cthe human and environmental consequences of transformations taking place at America’s borders\u201d\u2014are easily recognized by students because they are so pertinent to the current contemporary moment.<\/p>\n

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In an interview, Karen Yamashita explains that while she used the metaphor of land that shifts in Tropic of Orange<\/em>, it is really the people who have moved: \u201cThe geography has changed because humans have created this transition. I suppose it\u2019s fantastic and more radical to talk about the land moving, in terms of the artistic or visual effects of the book. But the real message is that people are moving. And that has changed the landscape entirely, because they\u2019ve taken their culture and their landscape with them.\u201d (By the way, this interview was very useful for me to understand Yamashita\u2019s motivations for writing this novel\u00e0<\/span><\/span> http:\/\/english.chass.ncsu.edu\/jouvert\/v2i2\/YAMASHI.HTM<\/a>). I can personally identify with this topic\u2014maybe that\u2019s why it\u2019s so interesting to me. As an Egyptian-American I consider myself a hybrid of both cultures, belonging to both entirely, but not to either at the same time. It\u2019s a very postmodern thought\u2014that most American immigrants cannot identify themselves as belonging to only one culture. Similarly, even people who have not immigrated have a hybrid identity, shaped by transnational cultural movement of Americanization that has spread all over the globe.<\/p>\n

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Even though Yamashita identifies herself as an \u201cAsian-American\u201d writer, her literary work Tropic of Orange defies any specific cultural and geographical associations implied in that categorization. More than any other novel this semester, Tropic of Orange effectively portrays characters that have a truly transnational cultural identity. In one of the more engaging parts of the … Continue reading Immigration and the Making of a Transnational Hybrid Identity<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[80],"tags":[78,70,77,35,13,71,72],"class_list":["post-615","post","type-post","status-publish","format-standard","hentry","category-week-13-tropic-of-orange","tag-adams","tag-family","tag-internet","tag-reality","tag-technology","tag-tropic-of-orange","tag-yamashita"],"_links":{"self":[{"href":"https:\/\/www.samplereality.com\/gmu\/spring2009\/660\/index.php?rest_route=\/wp\/v2\/posts\/615"}],"collection":[{"href":"https:\/\/www.samplereality.com\/gmu\/spring2009\/660\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.samplereality.com\/gmu\/spring2009\/660\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.samplereality.com\/gmu\/spring2009\/660\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.samplereality.com\/gmu\/spring2009\/660\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=615"}],"version-history":[{"count":4,"href":"https:\/\/www.samplereality.com\/gmu\/spring2009\/660\/index.php?rest_route=\/wp\/v2\/posts\/615\/revisions"}],"predecessor-version":[{"id":650,"href":"https:\/\/www.samplereality.com\/gmu\/spring2009\/660\/index.php?rest_route=\/wp\/v2\/posts\/615\/revisions\/650"}],"wp:attachment":[{"href":"https:\/\/www.samplereality.com\/gmu\/spring2009\/660\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=615"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.samplereality.com\/gmu\/spring2009\/660\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=615"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.samplereality.com\/gmu\/spring2009\/660\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=615"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}