Jabberwocky: Words and Meaning

Although it has been reiterated several times already, I will attempt to define the representational meaning of Neil Hennessy’s JABBER. The Jabberwocky Engine generates a collection of letters from the English alphabet which float seemingly aimlessly across a white screen. Over time, these black letters collide in order to create blue word fragments (some of which are real words, some are not) or red “garbage” words. Then, two word fragments combine to create green “nonsense” words. Despite the fact that the green words do not exist in the English dictionary, Hennessy is, in essence, using the medium of language as a figurative playground by randomly combining letters and word fragments that sound, at varying degrees, as though they could plausibly function as actual words. He deposes the meanings of words and breaks free from the establishment of language as it is manifested in our cultural consciousness.

The user, “scarterb,” brought up the interesting idea that Hennessy could be “commenting on the arbitrariness of the English language.” Immediately, it occurred to me that the words currently in the repertoire of my vocabulary all sound, in some way, like what it is to which they refer. I realize that this is an abstract idea and may be difficult for me to articulate well. I will try my best…

I am not sure if others share similar experiences, but I feel that words have a tendency to correspond with their intended meanings—perhaps due to masculine or feminine undertones in a word or, say, because of certain emphases on the vowels and consonants in a word. For example, the word “blossom” (as it relates to a flower opening) sounds (at least, to me) exactly like its meaning, whereas the verb “execute” sounds very severe and harsh—the opposite of the implications of a flower blossoming. “Shatter” also seems to harmonize with its intended meaning in that the pronunciation of the two ‘t’s sound almost like an object breaking. Hennessy may be toying with the notion of words and their common associations through JABBER.

It is my contention that Hennessy may be challenging the way we associate words with their meanings, although I do not think his purpose in creating JABBER is exclusively for this reason. He may also be indicating the ever-changing nature of language (i.e. how words become antiquated, and also how new words are added to a language as time passes.) Nonetheless, it is possible Hennessy is attempting to show how words can be separated from meaning and connotation. Perhaps he is attempting to break the traditional notions of the significance of words and how they are tied to their meanings. He may be proposing one or several questions, What is really in a word? What is the significance of a word? How do we mentally process the concept of words?

I realize that this is a rather grandiose and perhaps far-reaching opinion. I am also aware that there is an obvious problem with my argument in that, from a young age, we, as human beings, are indoctrinated with the meanings and connotations of words. Therefore, it is nearly impossible to tell whether or not words are, in some way, deliberately connected to that to which they refer. Most likely, a (rather infeasible) controlled experiment would need to be performed in order to even begin determining the validity of my opinion—or inquiry, one might call it. One may look to etymology, but it is not sufficient in this case for explaining how and why sounds are combined to create words. Nonetheless, it certainly piqued my curiosity when considering JABBER, its purposes, and the questions it raises.